SCREEN PROFITS REPORT
2018 · Christian Rivers · Zane Weiner | Amanda Walker | Deborah Forte | Fran Walsh | Peter Jackson · 2 hr 8 min
In a post-apocalyptic world where cities ride on wheels and consume each other to survive, two people meet in London and try to stop a conspiracy.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Hera Hilmar | 2018 | $3,197,115 | $4,098,572 | (est) |
| Robert Sheehan | 2018 | $1,336,203 | $1,712,958 | (est) |
| Hugo Weaving | 2018 | $727,662 | $932,833 | (est) |
| Jihae | 2018 | $4,794,195 | $6,145,963 | (est) |
| Ronan Raftery | 2018 | $4,100,896 | $5,257,182 | (est) |
| Leila George | 2018 | $1,164,885 | $1,493,335 | (est) |
| Patrick Malahide | 2018 | $418,531 | $536,540 | (est) |
| Stephen Lang | 2018 | $1,065,720 | $1,366,210 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2018 | $15,951,040 | $20,448,585 |
| International International theatrical box office gross. | 2018 | $67,721,633 | $86,816,383 |
| Worldwide Combined worldwide theatrical box office gross. | 2018 | $83,672,673 | $104,532,527 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2018 | $35,064,173 (est) | $44,950,846 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2018 | $2,901,899 | $3,720,117 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2018 | $2,875,144 | $3,685,818 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2018 | $799,021 | $1,024,312 |
| Physical Purchases Physical Purchases: DVD $1,197,221, BluRay $733,781 | 2018 | $1,931,002 | $2,475,466 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2018 | $3,135,334 (est) | $4,019,371 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2018 | $46,706,573 | $59,875,929 |
| Expenses | |||
| Budget Production budget. | 2018 | $150,000,000 | $187,395,460 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: 10 Movies With Massive Marketing Budgets To Rival Barbie's $150M - Screen RantURL: https://bombreport.com/yearly-breakdowns/2018-2/mortal-engines/Mortal Engines cost its various production companies $120 million according to Deadline, marking the film as one of the biggest box office bombs of all time. | 2018 | $120,000,000 | $153,835,125 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $677,245 (est) | $868,201 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $18,000,000 (est) | $23,075,269 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2018 | $288,677,245 | $365,174,055 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2018 | $-241,970,672 | $-305,298,126 |
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