SCREEN PROFITS REPORT
1998 · Robert Rodriguez · Elizabeth Avellán · 1 hr 44 min
When Casey Connor, Herrington High School's newspaper photographer, witnesses the murder of a nurse and sees her alive again, he decides to investigate the bizarre happenings.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Jordana Brewster | 1998 | $2,136,570 | $4,219,398 | (est) |
| Clea DuVall | 1998 | $300,000 | $592,454 | (est) |
| Laura Harris | 1998 | $336,351 | $664,242 | (est) |
| Josh Hartnett | 1998 | $750,000 | $1,481,135 | (est) |
| Shawn Hatosy | 1998 | $143,522 | $283,434 | (est) |
| Famke Janssen | 1998 | $300,000 | $592,454 | (est) |
| Piper Laurie | 1998 | $191,004 | $377,204 | (est) |
| Bebe Neuwirth | 1998 | $180,277 | $356,019 | (est) |
| Robert Patrick | 1998 | $265,448 | $524,219 | (est) |
| Usher Raymond | 1998 | $300,000 | $592,454 | (est) |
| Jon Stewart | 1998 | $248,094 | $489,948 | (est) |
| Elijah Wood | 1998 | $300,000 | $592,454 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1998 | $40,283,321 | $79,553,381 |
| International International theatrical box office gross. | 1998 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1998 | $40,283,321 | $77,526,858 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1998 | $20,141,661 (est) | $39,776,690 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1998 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1998 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1998 | $5,843,965 | $11,540,934 |
| Physical Purchases Physical Purchases: VHS $3,856,430, DVD $335,342 | 1998 | $4,191,772 | $8,278,107 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1998 | $9,193,923 (est) | $18,156,587 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1998 | $39,371,320 | $77,752,319 |
| Expenses | |||
| Budget Production budget. | 1998 | $15,000,000 | $28,868,098 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $9,905,101 | Reg Main Pred: $5,218,070 | 1998 | $8,172,000 (est) | $16,138,447 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1998 | $1,568,019 (est) | $3,096,596 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1998 | $881,918 (est) | $1,741,652 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1998 | $1,800,000 (est) | $3,554,724 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1998 | $27,421,936 | $53,399,517 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1998 | $11,949,384 | $24,352,802 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
