SCREEN PROFITS REPORT
2002 · Robert Rodriguez · Elizabeth Avellán | Robert Rodriguez · 1 hr 40 min
The Cortez siblings set out for a mysterious island, where they encounter a genetic scientist and a set of rival spy kids.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Antonio Banderas | 2002 | $2,198,316 | $3,933,507 | (est) |
| Carla Gugino | 2002 | $750,000 | $1,341,996 | (est) |
| Alexa Vega | 2002 | $400,000 | $715,731 | (est) |
| Daryl Sabara | 2002 | $444,746 | $795,796 | (est) |
| Mike Judge | 2002 | $680,150 | $1,217,011 | (est) |
| Ricardo Montalbán | 2002 | $336,620 | $602,323 | (est) |
| Holland Taylor | 2002 | $184,603 | $330,315 | (est) |
| Christopher McDonald | 2002 | $316,879 | $567,000 | (est) |
| Cheech Marin | 2002 | $332,803 | $595,494 | (est) |
| Steve Buscemi | 2002 | $310,513 | $555,609 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2002 | $85,846,429 | $153,607,368 |
| International International theatrical box office gross. | 2002 | $33,876,929 | $60,616,917 |
| Worldwide Combined worldwide theatrical box office gross. | 2002 | $119,723,358 | $208,767,190 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2002 | $56,473,986 (est) | $101,050,451 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2002 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2002 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2002 | $12,594,074 | $22,534,922 |
| Physical Purchases Physical Purchases: VHS $4,294,599, DVD $9,558,947 | 2002 | $13,853,546 | $24,788,530 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2002 | $18,681,348 (est) | $33,427,048 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2002 | $101,602,954 | $181,800,950 |
| Expenses | |||
| Budget Production budget. | 2002 | $38,000,000 | $66,262,368 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $29,871,128 | Reg Main Pred: $48,135,002 | 2002 | $34,468,000 (est) | $61,674,537 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2002 | $2,709,328 (est) | $4,847,875 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2002 | $2,367,349 (est) | $4,235,962 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2002 | $4,560,000 (est) | $8,159,333 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2002 | $82,104,677 | $145,180,075 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2002 | $19,498,277 | $36,620,875 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
