SCREEN PROFITS REPORT
Battle Los Angeles
2011 · Jonathan Liebesman · Ori Marmur | Neal H. Moritz · 1 hr 56 min
A squad of U.S. Marines becomes the last line of defense against a global invasion.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Aaron Eckhart | 2011 | $1,500,000 | $2,146,954 | (est) |
| Michelle Rodriguez | 2011 | $2,110,339 | $3,020,534 | (est) |
| Ramon Rodriguez | 2011 | $1,034,382 | $1,480,514 | (est) |
| Bridget Moynahan | 2011 | $1,032,447 | $1,477,744 | (est) |
| Ne-Yo | 2011 | $1,384,767 | $1,982,021 | (est) |
| Michael Peña | 2011 | $911,699 | $1,304,917 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2011 | $83,552,429 | $119,588,826 |
| International International theatrical box office gross. | 2011 | $128,266,925 | $183,588,809 |
| Worldwide Combined worldwide theatrical box office gross. | 2011 | $211,819,354 | $295,454,564 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2011 | $93,082,985 (est) | $133,229,936 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2011 | $4,561,285 | $6,528,581 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2011 | $2,698,405 | $3,862,234 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2011 | $6,701,235 | $9,591,497 |
| Physical Purchases Physical Purchases: DVD $8,299,345, BluRay $2,340,841 | 2011 | $10,640,186 | $15,229,328 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2011 | $16,008,393 (est) | $22,912,858 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2011 | $133,692,489 | $191,354,435 |
| Expenses | |||
| Budget Production budget. | 2011 | $70,000,000 | $97,638,951 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 4 | Peer Median: $77,527,500 | Reg Box Pred: $45,228,824 | Reg Main Pred: $47,640,112 | 2011 | $63,944,000 (est) | $91,523,226 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $2,446,573 (est) | $3,501,786 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $8,400,000 (est) | $12,022,944 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2011 | $144,790,573 | $204,686,907 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2011 | $-11,098,083 | $-13,332,472 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.