SCREEN PROFITS REPORT
Trolls
2016 · Mike Mitchell · Gina Shay · 1 hr 32 min
After the Bergens invade Troll Village, Poppy, the happiest Troll ever born, and the curmudgeonly Branch set off on a journey to rescue her friends.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Anna Kendrick | 2016 | $1,500,000 | $2,011,875 | (est) |
| Justin Timberlake | 2016 | $1,170,009 | $1,569,275 | (est) |
| Zooey Deschanel | 2016 | $551,873 | $740,200 | (est) |
| Russell Brand | 2016 | $2,015,811 | $2,703,707 | (est) |
| James Corden | 2016 | $1,804,108 | $2,419,760 | (est) |
| Gwen Stefani | 2016 | $2,500,000 | $3,353,125 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2016 | $153,856,089 | $206,359,479 |
| International International theatrical box office gross. | 2016 | $193,157,398 | $259,072,360 |
| Worldwide Combined worldwide theatrical box office gross. | 2016 | $347,013,487 | $453,575,545 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2016 | $154,191,004 (est) | $206,808,684 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2016 | $14,897,048 | $19,980,666 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2016 | $13,148,487 | $17,635,408 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2016 | $5,245,683 | $7,035,772 |
| Physical Purchases Physical Purchases: DVD $7,546,789, BluRay $3,818,857 | 2016 | $11,365,646 | $15,244,172 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2016 | $27,876,240 (est) | $37,389,007 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2016 | $226,724,107 | $304,093,709 |
| Expenses | |||
| Budget Production budget. | 2016 | $125,000,000 | $163,385,417 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: Trolls (film) - WikipediaURL: https://en.wikipedia.org/wiki/Trolls_(film)DreamWorks spent an estimated $105 million promoting the film. | 2016 | $105,000,000 | $140,831,250 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $3,491,551 (est) | $4,683,043 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $15,000,000 (est) | $20,118,750 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2016 | $248,491,551 | $329,018,460 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2016 | $-21,767,444 | $-24,924,751 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.