SCREEN PROFITS REPORT
2000 · Brian Levant · Bruce Cohen · 1 hr 30 min
In this live-action prequel to The Flintstones, the Flintstones and the Rubbles go on a trip to Rock Vegas, where Wilma Slaghoople is pursued by playboy Chip Rockefeller.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Mark Addy | 2000 | $4,096,269 | $7,657,311 | (est) |
| Stephen Baldwin | 2000 | $750,000 | $1,402,003 | (est) |
| Kristen Johnston | 2000 | $400,000 | $747,735 | (est) |
| Jane Krakowski | 2000 | $250,000 | $467,334 | (est) |
| Thomas Gibson | 2000 | $153,620 | $287,168 | (est) |
| Alan Cumming | 2000 | $409,331 | $765,178 | (est) |
| Harvey Korman | 2000 | $254,520 | $475,784 | (est) |
| Joan Collins | 2000 | $303,729 | $567,772 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2000 | $35,268,275 | $65,928,326 |
| International International theatrical box office gross. | 2000 | $24,200,000 | $45,237,979 |
| Worldwide Combined worldwide theatrical box office gross. | 2000 | $59,468,275 | $108,334,482 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2000 | $27,314,138 (est) | $51,059,355 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2000 | $5,952,425 | $11,127,094 |
| Physical Purchases Physical Purchases: VHS $3,590,231, DVD $1,808,612 | 2000 | $5,398,843 | $10,092,262 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2000 | $8,259,021 (est) | $15,438,901 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2000 | $46,924,426 | $87,717,612 |
| Expenses | |||
| Budget Production budget. | 2000 | $83,000,000 | $151,202,671 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: The Flintstones in Viva Rock Vegas: Corporate Shill of a Film | Bomb reportURL: https://bombreport.com/yearly-breakdowns/2000-2/the-flintstones-in-viva-rock-vegas/Universal landed dozens of corporate partners, which invested $50 million into promotional support for Viva Rock Vegas — on top of an already expensive traditional marketing campaign. | 2000 | $50,000,000 | $93,466,899 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $1,051,107 (est) | $1,964,874 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $9,960,000 (est) | $18,618,606 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2000 | $144,011,107 | $265,253,051 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2000 | $-97,086,681 | $-177,535,440 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
