SCREEN PROFITS REPORT
Are We There Yet?
2005 · Brian Levant · Ice Cube | Matt Alvarez | Dan Kolsrud · 1 hr 35 min
To impress a foxy divorcee, ladies' man Nick offers to take her kids on an extended road trip, unaware of the torture he's in for.
SCREEN PROFITS REPORT
2005 · Brian Levant · Ice Cube | Matt Alvarez | Dan Kolsrud · 1 hr 35 min
To impress a foxy divorcee, ladies' man Nick offers to take her kids on an extended road trip, unaware of the torture he's in for.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Ice Cube | 2005 | $960,000 | $1,582,304 | (est) |
| Nia Long | 2005 | $640,000 | $1,054,869 | (est) |
| Jay Mohr | 2005 | $400,000 | $659,293 | (est) |
| Tracy Morgan | 2005 | $420,926 | $693,784 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2005 | $82,674,398 | $136,266,711 |
| International International theatrical box office gross. | 2005 | $15,244,265 | $25,126,108 |
| Worldwide Combined worldwide theatrical box office gross. | 2005 | $97,918,663 | $157,281,539 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2005 | $47,434,905 (est) | $78,183,799 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2005 | $872,414 | $1,437,942 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2005 | $166,749 | $274,841 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2005 | $11,737,747 | $19,346,547 |
| Physical Purchases Physical Purchases: VHS $336,018, DVD $16,464,862 | 2005 | $16,800,880 | $27,691,772 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2005 | $17,000,752 (est) | $28,021,208 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2005 | $94,013,445 | $154,956,109 |
| Expenses | |||
| Budget Production budget. | 2005 | $32,000,000 | $51,399,898 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: H'wood's global warmingURL: https://variety.com/2005/biz/news/h-wood-s-global-warming-1117915578/“Tae Guk Gi” (called “Brotherhood” in Japan) was the first Korean film to start on a generous 300 screens, pushed by a $7 million P&A campaign, even though it disappointed in the end and barely crossed the ¥1 billion mark. | 2005 | $7,000,000 | $11,537,634 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2005 | $6,106,414 (est) | $10,064,796 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2005 | $2,322,132 (est) | $3,827,416 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2005 | $3,840,000 (est) | $6,329,217 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2005 | $51,268,546 | $83,158,961 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2005 | $42,744,899 | $71,797,148 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.