SCREEN PROFITS REPORT
Annabelle Comes Home
2019 · Gary Dauberman · James Wan | Peter Safran · 1 hr 46 min
While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
SCREEN PROFITS REPORT
2019 · Gary Dauberman · James Wan | Peter Safran · 1 hr 46 min
While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Mckenna Grace | 2019 | $900,000 | $1,133,007 | (est) |
| Madison Iseman | 2019 | $1,409,647 | $1,774,601 | (est) |
| Katie Sarife | 2019 | $999,526 | $1,258,300 | (est) |
| Vera Farmiga | 2019 | $734,990 | $925,277 | (est) |
| Patrick Wilson | 2019 | $1,000,000The series has amassed over $2 billion globally, with each installment reportedly compensating leads like Wilson in the $1-3 million rangesource | $1,258,897 | (rep) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2019 | $74,152,591 | $93,350,485 |
| International International theatrical box office gross. | 2019 | $157,100,000 | $197,772,741 |
| Worldwide Combined worldwide theatrical box office gross. | 2019 | $231,252,591 | $283,707,226 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2019 | $99,916,296 (est) | $125,784,339 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2019 | $8,339,259 | $10,498,269 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2019 | $9,080,785 | $11,431,774 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2019 | $1,343,289 | $1,691,063 |
| Physical Purchases Physical Purchases: DVD $2,149,262, BluRay $1,432,841 | 2019 | $3,582,104 | $4,509,500 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2019 | $13,227,956 (est) | $16,652,636 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2019 | $135,489,688 | $170,567,582 |
| Expenses | |||
| Budget Production budget. | 2019 | $30,000,000 | $36,804,849 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: Annabelle Comes Home - WikipediaURL: https://en.wikipedia.org/wiki/Annabelle_Comes_HomeThe studio spent a total of $77 million promoting the film. | 2019 | $77,000,000 | $96,935,080 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $2,458,783 (est) | $3,095,355 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $1,910,405 (est) | $2,405,003 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $3,600,000 (est) | $4,532,030 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2019 | $114,969,188 | $143,772,318 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2019 | $20,520,500 | $26,795,264 |
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