James Wan
Dynamic entity page generated from imported ScreenProfits movie metadata.
Director
Writer
Editor
Producer
Screenwriter
Based On
Movies36
Years2004-2025
Avg Score79.2
Worldwide Gross$7,743,467,623
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Furious 7 | 2015 | 94.7 | 97.7% | 99.6% | $2B | $337M | $464M |
|
The Conjuring | 2013 | 94.0 | 97.2% | 96.6% | $319M | $133M | $184M |
|
The Conjuring 2 | 2016 | 93.2 | 97.2% | 96.2% | $321M | $76M | $103M |
|
Aquaman | 2018 | 93.1 | 99.1% | 99.4% | $1B | $181M | $238M |
|
M3GAN | 2023 | 90.2 | 93.6% | 91.5% | $180M | $79M | $83M |
|
Saw | 2004 | 88.9 | 97.1% | 89.9% | $103M | $101M | $173M |
|
The Conjuring: The Devil Made Me Do It | 2021 | 87.6 | 90.8% | 95.2% | $206M | $39M | $48M |
|
Annabelle: Creation | 2017 | 87.6 | 90.2% | 95.5% | $307M | $121M | $159M |
|
Insidious | 2011 | 87.1 | 95.6% | 88.6% | $100M | $77M | $110M |
|
Mortal Kombat | 2021 | 86.9 | 93.7% | 89.5% | $84M | -$34M | -$39M |
|
Logan Lucky | 2017 | 86.9 | 91.0% | 84.9% | $48M | -$5M | -$6M |
|
Annabelle Comes Home | 2019 | 86.8 | 89.9% | 95.3% | $231M | $18M | $24M |
|
Lights Out | 2016 | 86.1 | 90.3% | 92.0% | $149M | $80M | $107M |
|
Saw III | 2006 | 86.1 | 94.1% | 95.6% | $165M | $109M | $174M |
|
Aquaman and the Lost Kingdom | 2023 | 84.7 | 88.6% | 96.7% | $440M | -$102M | -$102M |
|
Monkey Man | 2024 | 83.8 | 89.6% | 85.9% | $35M | $2M | $3M |
|
The Nun | 2018 | 83.6 | 94.6% | 96.9% | $366M | $128M | $165M |
|
Insidious: Chapter 3 | 2015 | 83.2 | 88.9% | 91.6% | $113M | $54M | $73M |
|
The Monkey | 2025 | 83.0 | 86.7% | 88.7% | $69M | $25M | $25M |
|
Insidious: Chapter 2 | 2013 | 83.0 | 89.4% | 92.7% | $162M | $94M | $130M |
|
The Nun II | 2023 | 82.9 | 84.1% | 94.6% | $270M | $51M | $55M |
|
Malignant | 2021 | 82.7 | 89.5% | 84.1% | $35M | -$13M | -$14M |
|
Annabelle | 2014 | 82.2 | 91.7% | 95.7% | $257M | $122M | $166M |
|
Insidious: The Last Key | 2018 | 81.5 | 87.6% | 94.5% | $168M | $71M | $91M |
|
Insidious: The Red Door | 2023 | 80.1 | 82.7% | 91.9% | $189M | $69M | $73M |
|
The Conjuring: Last Rites | 2025 | 79.3 | 72.8% | 94.8% | $499M | $148M | $148M |
|
M3GAN 2.0 | 2025 | 78.2 | 78.3% | 84.7% | $39M | -$19M | -$19M |
|
The Curse of La Llorona | 2019 | 77.8 | 85.2% | 92.1% | $123M | $15M | $19M |
|
The Mummy | 2024 | 75.5 | 97.0% | 52.0% | $2M | -$80M | -$80M |
|
Night Swim | 2024 | 73.2 | 78.1% | 89.2% | $55M | $8M | $8M |
|
Dead Silence | 2007 | 70.1 | 77.8% | 76.4% | $22M | $20M | $32M |
|
7 Boxes | 2014 | 69.6 | 83.9% | 45.7% | $371K | -$272M | -$361M |
|
Death Sentence | 2007 | 67.7 | 73.4% | 73.0% | $17M | $15M | $24M |
|
Under the Wire | 2018 | 37.2 | 53.1% | 14.4% | $24K | -$25M | -$31M |
|
The Last Twins | 2025 | 35.0 | 42.6% | 3.2% | $10K | -$11K | -$11K |
|
Made Me Do It | 2019 | 29.5 | 29.8% | 9.1% | $11K | -$43M | -$52M |