The Safran Company
Dynamic entity page generated from imported ScreenProfits movie metadata.
Production Company
Movies34
Years2008-2025
Avg Score71.6
Worldwide Gross$5,462,492,532
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Shazam! | 2019 | 94.5 | 98.2% | 96.7% | $366M | -$24M | -$26M |
|
The Conjuring | 2013 | 94.0 | 97.2% | 96.6% | $319M | $133M | $184M |
|
The Suicide Squad | 2021 | 93.7 | 98.3% | 94.2% | $169M | -$196M | -$227M |
|
The Conjuring 2 | 2016 | 93.2 | 97.2% | 96.2% | $321M | $76M | $103M |
|
Aquaman | 2018 | 93.1 | 99.1% | 99.4% | $1B | $181M | $238M |
|
The Conjuring: The Devil Made Me Do It | 2021 | 87.6 | 90.8% | 95.2% | $206M | $39M | $48M |
|
Annabelle: Creation | 2017 | 87.6 | 90.2% | 95.5% | $307M | $121M | $159M |
|
Blue Beetle | 2023 | 87.0 | 89.0% | 89.8% | $131M | -$124M | -$127M |
|
Annabelle Comes Home | 2019 | 86.8 | 89.9% | 95.3% | $231M | $18M | $24M |
|
Shazam! Fury of the Gods | 2023 | 85.5 | 91.3% | 90.2% | $134M | -$100M | -$103M |
|
Aquaman and the Lost Kingdom | 2023 | 84.7 | 88.6% | 96.7% | $440M | -$102M | -$102M |
|
Monkey Man | 2024 | 83.8 | 89.6% | 85.9% | $35M | $2M | $3M |
|
The Nun | 2018 | 83.6 | 94.6% | 96.9% | $366M | $128M | $165M |
|
The Monkey | 2025 | 83.0 | 86.7% | 88.7% | $69M | $25M | $25M |
|
The Nun II | 2023 | 82.9 | 84.1% | 94.6% | $270M | $51M | $55M |
|
Annabelle | 2014 | 82.2 | 91.7% | 95.7% | $257M | $122M | $166M |
|
The Conjuring: Last Rites | 2025 | 79.3 | 72.8% | 94.8% | $499M | $148M | $148M |
|
Buried | 2010 | 78.2 | 85.0% | 71.4% | $19M | $28M | $41M |
|
The Belko Experiment | 2017 | 73.0 | 82.5% | 73.1% | $11M | $12M | $16M |
|
Flatliners | 2017 | 71.2 | 81.5% | 84.1% | $45M | $4M | $6M |
|
The Choice | 2016 | 70.5 | 77.9% | 77.3% | $23M | $10M | $13M |
|
Disaster Movie | 2008 | 67.9 | 83.1% | 80.0% | $35M | $17M | $27M |
|
Over Her Dead Body | 2008 | 67.3 | 76.8% | 74.3% | $21M | $21M | $32M |
|
New in Town | 2009 | 65.7 | 70.4% | 75.4% | $29M | $31M | $47M |
|
Restoring Tomorrow | 2018 | 56.5 | 74.9% | 16.0% | $29K | $2M | -$278M |
|
Flypaper | 2011 | 56.5 | 62.2% | 60.5% | $4M | -$7M | -$10M |
|
Return to Reason: Four Films by Man Ray | 2024 | 54.1 | 75.0% | 11.4% | $25K | -$250M | -$251M |
|
It's Hard Being Loved by Jerks | 2015 | 53.6 | 83.5% | 0.2% | $697 | -$272K | -$298M |
|
ATM | 2012 | 51.4 | 64.2% | 49.9% | $922K | -$3M | -$4M |
|
The Paragon | 2024 | 50.1 | 75.1% | 0.3% | $5K | -$252M | -$253M |
|
Under the Wire | 2018 | 37.2 | 53.1% | 14.4% | $24K | -$25M | -$31M |
|
The Last Twins | 2025 | 35.0 | 42.6% | 3.2% | $10K | -$11K | -$11K |
|
My Suicide | 2011 | 34.7 | 33.5% | 9.2% | $17K | -$204M | -$285M |
|
Made Me Do It | 2019 | 29.5 | 29.8% | 9.1% | $11K | -$43M | -$52M |