SCREEN PROFITS REPORT
30 Days of Night
2007 · David Slade · Sam Raimi | Robert Tapert · 1 hr 53 min
After an Alaskan town is plunged into darkness for a month, it is attacked by a bloodthirsty gang of vampires.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Josh Hartnett | 2007 | $934,234 | $1,450,699 | (est) |
| Melissa George | 2007 | $600,000 | $931,693 | (est) |
| Danny Huston | 2007 | $803,137 | $1,247,129 | (est) |
| Ben Foster | 2007 | $958,482 | $1,488,352 | (est) |
| Mark Boone Junior | 2007 | $150,000 | $232,923 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2007 | $39,569,000 | $61,443,614 |
| International International theatrical box office gross. | 2007 | $35,944,170 | $55,814,898 |
| Worldwide Combined worldwide theatrical box office gross. | 2007 | $75,513,170 | $114,271,497 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2007 | $34,162,168 (est) | $53,047,766 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2007 | $728,277 | $1,130,885 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2007 | $308,067 | $478,373 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2007 | $5,236,880 | $8,131,942 |
| Physical Purchases Physical Purchases: DVD $7,110,922, BluRay $413,863 | 2007 | $7,524,785 | $11,684,651 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2007 | $8,033,026 (est) | $12,473,859 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2007 | $55,993,203 | $86,947,477 |
| Expenses | |||
| Budget Production budget. | 2007 | $30,000,000 | $45,397,974 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $22,498,433 | Reg Main Pred: $29,608,088 | 2007 | $24,430,000 (est) | $37,935,441 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2007 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2007 | $1,265,446 (est) | $1,965,013 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2007 | $3,600,000 (est) | $5,590,159 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2007 | $59,295,446 | $90,888,588 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2007 | $-3,302,244 | $-3,941,111 |
Similar Movies
Similar Movies
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.