Synopsis
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Scores
Popularity Percentile (Year)
48.7%
Box Office Percentile (Year)
62.2%
Critic Consensus
75.0% Fresh • 16 critic reviews
Critic reception is largely positive, with 75% of 16 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize psychological, emotional, character-driven. Most critics frame the film as an effective delivery of its core style and intent.
psychologicalemotionalcharacter-drivenromantichistoricalvisually strikingcoming of age
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| Helena Bonham Carter | 1997 | $145,000 | $283,000 | (est) |
| Linus Roache | 1997 | $89,000 | $174,000 | (est) |
| Alison Elliott | 1997 | $67,000 | $131,000 | (est) |
| Elizabeth McGovern | 1997 | $55,000 | $107,000 | (est) |
| Michael Gambon | 1997 | $47,000 | $92,000 | (est) |
| Alex Jennings | 1997 | $41,000 | $81,000 | (est) |
| Charlotte Rampling | 1997 | $37,000 | $73,000 | (est) |
Aggregated Reviews
Rotten Tomatoes critic score86.0
RT critic review count35
Rotten Tomatoes audience score78.0
RT audience rating count5,000
IMDb rating7.1
IMDb votes13,407
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 1997 | $13,692,848 | $26,762,906 |
| International | 1997 | N/A | N/A |
| Worldwide | 1997 | $13,692,848 | $26,762,906 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 1997 | $6,846,424 | $13,381,453 |
| Digital Rentals ? | 1997 | N/A | N/A |
| Digital Purchases ? | 1997 | N/A | N/A |
| Physical Rentals ? | 1997 | $19,065,000 | $37,262,869 |
| Physical Purchases ? | 1997 | $25,472,000 | $49,785,460 |
| TV & Streaming Revenue | 1997 | $3,286,284 | $6,423,097 |
| Total Revenues | 1997 | $54,669,708 | $106,852,880 |
| Expenses |
| Budget ? | 1997 | $6,110,000 (est) | $11,942,100 (est) |
| Print & Advertising (P&A) ? | 1997 | $4,893,000 (est) | $9,563,452 (est) |
| Participations | 1997 | $4,374,000 | $8,549,058 |
| Residuals ? | 1997 | $3,444,000 | $6,731,357 |
| Interest & Overhead | 1997 | $1,222,000 | $2,388,420 |
| Total Expenses | 1997 | $20,043,000 | $39,174,387 |
| Movie Net Profit or Loss | 1997 | $34,626,708 | $67,678,493 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Letters to Juliet | 2010 | Shared genres: 4 | 82.0 | $24,322,736 |
 | A Room with a View | 1986 | Shared genres: 4 | 79.0 | $34,168,058 |
 | Under the Tuscan Sun | 2003 | Shared genres: 4 | 78.6 | $39,048,243 |
 | Les Misérables | 1998 | Shared genres: 4 | 69.0 | $13,409,078 |
 | Tea with Mussolini | 1999 | Shared genres: 4 | 62.0 | $25,587,157 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $25,074,000, DVD $398,000, BluRay $0
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=1;reg_box_pred=4809938;reg_main_pred=5093535
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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