SCREEN PROFITS REPORT
The Meg
2018 · Jon Turteltaub · Lorenzo di Bonaventura | Belle Avery | Colin Wilson · 1 hr 53 min
A rescue mission to the bottom of the ocean is terrorized by a massive prehistoric shark.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Jason Statham | 2018 | $2,668,066 | $3,420,352 | (est) |
| Li Bingbing | 2018 | $1,136,007 | $1,456,315 | (est) |
| Rainn Wilson | 2018 | $400,000 | $512,784 | (est) |
| Ruby Rose | 2018 | $648,472 | $831,315 | (est) |
| Winston Chao | 2018 | $596,343 | $764,488 | (est) |
| Cliff Curtis | 2018 | $999,834 | $1,281,747 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2018 | $145,443,742 | $186,452,969 |
| International International theatrical box office gross. | 2018 | $383,800,000 | $492,016,010 |
| Worldwide Combined worldwide theatrical box office gross. | 2018 | $529,243,742 | $661,185,830 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2018 | $226,241,871 (est) | $290,032,888 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2018 | $15,646,230 | $20,057,832 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2018 | $16,037,754 | $20,559,749 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2018 | $3,468,875 | $4,446,957 |
| Physical Purchases Physical Purchases: DVD $5,197,530, BluRay $3,185,583 | 2018 | $8,383,112 | $10,746,810 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2018 | $26,107,542 (est) | $33,468,809 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2018 | $295,885,385 | $379,313,044 |
| Expenses | |||
| Budget Production budget. | 2018 | $130,000,000 | $162,409,399 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: The Meg - WikipediaURL: https://en.wikipedia.org/wiki/The_MegThe studio spent $140 million on global prints and advertisements for the film. | 2018 | $140,000,000 | $179,474,313 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $653,460 (est) | $837,709 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $4,290,338 (est) | $5,500,039 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $15,600,000 (est) | $19,998,566 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2018 | $290,543,798 | $368,220,026 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2018 | $5,341,587 | $11,093,018 |
Similar Movies
Similar Movies
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.