ScreenProfits

SCREEN PROFITS REPORT

The Kid Who Would Be King

2019 · Joe Cornish · Nira Park | Tim Bevan | Eric Fellner · 2 hr

Alex, a 12-year-old boy, and his friends fight an evil sorceress with the help of Excalibur, the sword of King Arthur, in a bid to save the world from her atrocities.

Cast Salaries

Cast Salaries

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Cast Year Salary Inflation adjusted salary Notes
Louis Ashbourne Serkis 2019 $5,760,865 $7,252,337 (est)
Tom Taylor 2019 $1,010,912 $1,272,634 (est)
Rebecca Ferguson 2019 $2,227,993 $2,804,814 (est)
Patrick Stewart 2019 $2,036,956 $2,564,318 (est)
Box Office

Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.

Inflation-adjusted values are shown in 2025 dollars when CPI data is available.

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Category Year Reported Inflation Adjusted
Domestic Domestic theatrical box office gross. 2019 $16,790,790 $21,137,878
International International theatrical box office gross. 2019 $15,350,180 $19,324,298
Worldwide Combined worldwide theatrical box office gross. 2019 $32,140,970 $39,431,452
Earnings / Profitability

Earnings / Profitability

Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.

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Category Year Reported Inflation Adjusted
Revenues
Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. 2019 $14,535,467 (est) $18,298,658 (est)
Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. 2019 $2,159,079 $2,718,058
Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. 2019 $2,326,987 $2,929,437
Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. 2019 $371,862 $468,136
Physical Purchases Physical Purchases: DVD $594,979, BluRay $396,653 2019 $991,632 $1,248,362
TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. 2019 $3,047,179 (est) $3,836,085 (est)
Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. 2019 $23,432,205 $29,498,736
Expenses
Budget Production budget. 2019 $59,000,000 $72,382,871
Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: The Kid Who Would Be King: The First Major Flop of 2019 - Bomb ReportURL: https://bombreport.com/yearly-breakdowns/2019-2/the-kid-who-would-be-king/FOX gave The Kid Who Would Be King an expensive marketing blitz in the US, spending $25.17 million on TV ads (as per iSpotTV) and after other traditional means of advertising and distribution expenses, the P&A costs were at least $40M. 2019 $40,000,000 $50,355,886
Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2019 $0 (est) $0 (est)
Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2019 $330,394 (est) $415,932 (est)
Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2019 $7,080,000 (est) $8,912,992 (est)
Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. 2019 $106,410,394 $132,067,680
Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. 2019 $-82,978,189 $-102,568,944
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