SCREEN PROFITS REPORT
The Change-Up
2011 · David Dobkin · David Dobkin | Neal H. Moritz · 1 hr 52 min
One fateful morning, family man Dave and bachelor Mitch wake up in each other's bodies as a result of a wish they made the previous evening.
SCREEN PROFITS REPORT
2011 · David Dobkin · David Dobkin | Neal H. Moritz · 1 hr 52 min
One fateful morning, family man Dave and bachelor Mitch wake up in each other's bodies as a result of a wish they made the previous evening.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Ryan Reynolds | 2011 | $3,213,338 | $4,599,260 | (est) |
| Jason Bateman | 2011 | $863,996 | $1,236,640 | (est) |
| Leslie Mann | 2011 | $890,894 | $1,275,139 | (est) |
| Olivia Wilde | 2011 | $476,204 | $681,592 | (est) |
| Alan Arkin | 2011 | $474,697 | $679,435 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2011 | $37,081,475 | $53,074,819 |
| International International theatrical box office gross. | 2011 | $38,368,962 | $54,917,603 |
| Worldwide Combined worldwide theatrical box office gross. | 2011 | $75,450,437 | $105,241,450 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2011 | $33,888,322 (est) | $48,504,451 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2011 | $2,064,074 | $2,954,315 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2011 | $1,217,444 | $1,742,531 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2011 | $3,062,358 | $4,383,162 |
| Physical Purchases Physical Purchases: DVD $3,800,400, BluRay $1,071,908 | 2011 | $4,872,307 | $6,973,747 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2011 | $7,135,817 (est) | $10,213,515 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2011 | $52,240,323 | $74,771,721 |
| Expenses | |||
| Budget Production budget. | 2011 | $52,000,000 | $72,531,792 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: The Change-Up: Too Expensive for a Gross-Out Comedy | Bomb ReportURL: https://bombreport.com/yearly-breakdowns/2011-2/the-change-up/The domestic run closed with $37,081,475 — hardly a terrible number for a gross out comedy, but a terrible number for a gross out comedy that cost $52 million plus a stateside marketing spend far over $35 million. | 2011 | $35,000,000 | $50,095,598 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $955,998 (est) | $1,368,322 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $6,240,000 (est) | $8,931,329 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2011 | $94,195,998 | $132,927,042 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2011 | $-41,955,675 | $-58,155,321 |
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