SCREEN PROFITS REPORT
2019 · André Øvredal · Guillermo del Toro | Sean Daniel | Jason F. Brown | J. Miles Dale | Elizabeth Grave · 1 hr 48 min
Pennsylvania, 1968. After playing a joke on a school bully, Stella and her friends decide to sneak into a haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Zoe Colletti | 2019 | $750,000 | $944,173 | (est) |
| Michael Garza | 2019 | $816,071 | $1,027,349 | (est) |
| Gabriel Rush | 2019 | $312,500 | $393,405 | (est) |
| Austin Zajur | 2019 | $379,344 | $477,555 | (est) |
| Natalie Ganzhorn | 2019 | $429,705 | $540,954 | (est) |
| Austin Abrams | 2019 | $154,171 | $194,085 | (est) |
| Dean Norris | 2019 | $244,155 | $307,366 | (est) |
| Gil Bellows | 2019 | $110,707 | $139,369 | (est) |
| Lorraine Toussaint | 2019 | $75,000 | $94,417 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2019 | $68,947,075 | $86,797,276 |
| International International theatrical box office gross. | 2019 | $35,598,430 | $44,814,762 |
| Worldwide Combined worldwide theatrical box office gross. | 2019 | $104,545,505 | $128,259,386 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2019 | $48,712,910 (est) | $61,324,543 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2019 | $7,243,848 | $9,119,259 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2019 | $7,933,318 | $9,987,232 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2019 | $1,121,491 | $1,411,842 |
| Physical Purchases Physical Purchases: DVD $1,794,386, BluRay $1,196,257 | 2019 | $2,990,643 | $3,764,912 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2019 | $12,201,604 (est) | $15,360,564 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2019 | $80,203,813 | $100,968,351 |
| Expenses | |||
| Budget Production budget. | 2019 | $25,000,000 | $30,670,708 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $36,066,131 | Reg Main Pred: $17,626,650 | 2019 | $29,095,000 (est) | $36,627,612 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $2,351,640 (est) | $2,960,472 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $1,130,874 (est) | $1,423,654 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $3,000,000 (est) | $3,776,691 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2019 | $60,577,513 | $75,459,138 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2019 | $19,626,300 | $25,509,214 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.