Synopsis
Screwball romance involving a woman (Makkena) who gets fired from her job as a bank teller when her friends arrange for a stripper to appear at the bank for her birthday. She then meets a man (Hickey) whom she had earlier seen jump off a bridge and had assumed had committed suicide. With nothing else to do, she follows him to Texas. Along the way she slowly comes to realize he is gay and is despondent over the AIDS-related death of his former lover.
Scores
Popularity Percentile (Year)
88.2%
Box Office Percentile (Year)
13.9%
Critic Consensus
99.2% Fresh • 263 critic reviews
Critic reception is largely positive, with 99% of 263 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize visually striking, family-friendly, funny. Most critics frame the film as an effective delivery of its core style and intent.
visually strikingfamily-friendlyfunnylightheartedemotionaldarkscaryrealisticgrittypsychological
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| Albert Brooks | 1999 | $7,355,000 | $13,849,000 | (est) |
| Ellen DeGeneres | 1999 | $4,527,000 | $8,525,000 | (est) |
| Alexander Gould | 1999 | $3,409,000 | $6,418,000 | (est) |
| Willem Dafoe | 1999 | $2,787,000 | $5,248,000 | (est) |
| Geoffrey Rush | 1999 | $2,384,000 | $4,489,000 | (est) |
| Bill Hunter | 1999 | $2,098,000 | $3,951,000 | (est) |
Aggregated Reviews
Rotten Tomatoes critic score99.0
RT critic review count266
Rotten Tomatoes audience score86.0
RT audience rating count250,000
IMDb rating6.3
IMDb votes345
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 1999 | $27,466 | $51,717 |
| International | 1999 | N/A | N/A |
| Worldwide | 1999 | $27,466 | $51,717 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 1999 | $13,733 | $25,859 |
| Digital Rentals ? | 1999 | N/A | N/A |
| Digital Purchases ? | 1999 | N/A | N/A |
| Physical Rentals ? | 1999 | $2,672,000 | $5,031,251 |
| Physical Purchases ? | 1999 | $3,453,000 | $6,501,837 |
| TV & Streaming Revenue | 1999 | $28,200,000 | $53,099,278 |
| Total Revenues | 1999 | $34,338,733 | $64,658,224 |
| Expenses |
| Budget ? | 1999 | $94,000,000 | $176,997,592 |
| Print & Advertising (P&A) ? | 1999 | $80,000 (est) | $150,636 (est) |
| Participations | 1999 | $687,000 | $1,293,589 |
| Residuals ? | 1999 | $1,798,000 | $3,385,550 |
| Interest & Overhead | 1999 | $14,100,000 | $26,549,639 |
| Total Expenses | 1999 | $110,665,000 | $208,377,005 |
| Movie Net Profit or Loss | 1999 | $-76,326,267 | $-143,718,781 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Love, Simon | 2018 | Shared genres: 6 | 90.0 | $13,733,734 |
 | Chasing Amy | 1997 | Shared genres: 6 | 75.8 | $49,102,741 |
 | The Object of My Affection | 1998 | Shared genres: 6 | 66.6 | $37,798,891 |
 | Imagine Me & You | 2006 | Shared genres: 6 | 62.6 | $22,460,444 |
 | Kissing Jessica Stein | 2002 | Shared genres: 6 | 62.6 | $36,618,115 |
Tooltips
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $2,778,000, DVD $676,000, BluRay $0
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=171638;reg_main_pred=878878
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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