SCREEN PROFITS REPORT
The Broken Hearts Club: A Romantic Comedy
2000 · Greg Berlanti · Mickey Liddell | Joseph Middleton · 1 hr 34 min
An insight into the turbulent lives and loves of a gay clique based in Los Angeles.
SCREEN PROFITS REPORT
2000 · Greg Berlanti · Mickey Liddell | Joseph Middleton · 1 hr 34 min
An insight into the turbulent lives and loves of a gay clique based in Los Angeles.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Zach Braff | 2000 | $150,000 | $280,401 | (est) |
| Dean Cain | 2000 | $100,000 | $186,934 | (est) |
| Andrew Keegan | 2000 | $70,000 | $130,854 | (est) |
| Nia Long | 2000 | $50,000 | $93,467 | (est) |
| Mary McCormack | 2000 | $35,000 | $65,427 | (est) |
| Matt McGrath | 2000 | $17,970 | $33,592 | (est) |
| Timothy Olyphant | 2000 | $20,000 | $37,387 | (est) |
| Billy Porter | 2000 | $20,000 | $37,387 | (est) |
| Justin Theroux | 2000 | $20,000 | $37,387 | (est) |
| Ben Weber | 2000 | $7,678 | $14,353 | (est) |
| John Mahoney | 2000 | $20,000 | $37,387 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2000 | $1,746,585 | $3,264,958 |
| International International theatrical box office gross. | 2000 | $272,536 | $509,462 |
| Worldwide Combined worldwide theatrical box office gross. | 2000 | $2,019,121 | $3,678,271 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2000 | $982,307 (est) | $1,836,264 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2000 | $255,377 | $477,387 |
| Physical Purchases Physical Purchases: VHS $153,342, DVD $77,248 | 2000 | $230,590 | $431,050 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2000 | $393,249 (est) | $735,115 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2000 | $1,861,523 | $3,479,815 |
| Expenses | |||
| Budget Production budget. | 2000 | $1,000,000 | $1,821,719 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $1,828,847 | Reg Main Pred: $2,036,384 | 2000 | $900,000 (est) | $1,682,404 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $41,698 (est) | $77,948 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $120,000 (est) | $224,321 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2000 | $2,061,698 | $3,806,392 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2000 | $-200,175 | $-326,576 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.