IFC Films
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Distributor
Production Company
Movies594
Years1997-2025
Avg Score48.7
Worldwide Gross$1,774,246,942
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
See for Me | 2022 | 69.0 | 87.6% | 50.5% | $726K | -$78M | -$84M |
|
Russian Dolls | 2006 | 68.9 | 61.2% | 76.4% | $24M | $16M | $26M |
|
Vesper | 2022 | 68.4 | 75.6% | 56.9% | $2M | -$74K | $60K |
|
Heartbreaker | 2010 | 68.3 | 60.4% | 79.2% | $48M | $23M | $34M |
|
Things to Come | 2016 | 68.1 | 64.7% | 64.7% | $6M | $7M | $10M |
|
The Experiment | 2002 | 68.1 | 77.4% | 49.8% | $2M | $13M | $23M |
|
Sleeping with Other People | 2015 | 67.9 | 77.4% | 59.5% | $3M | $10M | $14M |
|
Dheepan | 2016 | 67.9 | 64.5% | 64.4% | $6M | $2M | $3M |
|
Leaving | 2010 | 67.7 | 65.2% | 62.9% | $8M | $12M | $18M |
|
Me and You and Everyone We Know | 2005 | 67.6 | 64.3% | 64.7% | $8M | $37M | $61M |
|
The Ugly Stepsister | 2025 | 67.6 | 72.1% | 51.0% | $2M | $3M | $3M |
|
Soul Kitchen | 2010 | 67.5 | 62.5% | 70.6% | $18M | $19M | $28M |
|
Werewolves Within | 2021 | 67.5 | 73.0% | 54.7% | $992K | $8M | $10M |
|
The Lost King | 2023 | 67.4 | 64.2% | 64.6% | $5M | $4M | $4M |
|
Sputnik | 2020 | 67.3 | 80.8% | 44.6% | $354K | -$203M | -$247M |
|
Cold in July | 2014 | 67.3 | 72.0% | 57.5% | $2M | $13M | $18M |
|
Red Joan | 2019 | 67.3 | 70.2% | 74.8% | $11M | $7M | $9M |
|
Swallow | 2020 | 67.0 | 81.9% | 42.9% | $275K | $12M | $15M |
|
Black '47 | 2018 | 66.8 | 68.2% | 60.1% | $2M | $1M | $2M |
|
Pina | 2011 | 66.6 | 53.3% | 73.0% | $19M | $27M | $39M |
|
The Stanford Prison Experiment | 2015 | 66.6 | 78.1% | 45.9% | $663K | $13M | $18M |
|
Fish Tank | 2010 | 66.5 | 69.1% | 54.3% | $2M | $16M | $23M |
|
Sightseers | 2013 | 66.4 | 68.1% | 60.7% | $2M | $7M | $10M |
|
Ghost Stories | 2018 | 66.3 | 79.5% | 66.3% | $4M | $6M | $8M |
|
Antichrist | 2009 | 66.3 | 73.7% | 62.3% | $7M | $16M | $25M |
|
Graduation | 2017 | 66.2 | 65.6% | 56.6% | $2M | $6M | $8M |
|
On the Road | 2012 | 66.2 | 70.9% | 71.8% | $10M | -$8M | -$11M |
|
Happening | 2022 | 66.2 | 65.0% | 56.5% | $2M | $7M | $8M |
|
The Salvation | 2015 | 66.1 | 75.8% | 53.1% | $1M | -$5M | -$6M |
|
Certified Copy | 2011 | 65.8 | 61.0% | 65.0% | $8M | $16M | $23M |
|
Cave of Forgotten Dreams | 2011 | 65.8 | 58.6% | 65.5% | $8M | $25M | $36M |
|
The Innocents | 2022 | 65.7 | 76.3% | 42.8% | $322K | -$28M | -$30M |
|
The House That Jack Built | 2018 | 65.7 | 90.6% | 35.1% | $170K | -$3M | -$4M |
|
Paris | 2009 | 65.7 | 49.6% | 73.9% | $23M | $28M | $43M |
|
Maniac | 2013 | 65.6 | 69.6% | 63.1% | $3M | $4M | $6M |
|
Finding Vivian Maier | 2014 | 65.4 | 59.0% | 60.6% | $2M | $16M | $22M |
|
Your Sister's Sister | 2012 | 65.4 | 65.1% | 60.9% | $3M | $20M | $29M |
|
Corsage | 2022 | 65.4 | 63.6% | 64.5% | $3M | $3M | $3M |
|
Metallica: Some Kind of Monster | 2004 | 65.3 | 64.7% | 56.0% | $2M | $31M | $52M |
|
We Have a Pope | 2012 | 65.3 | 58.0% | 76.3% | $18M | $11M | $15M |
|
Paris, 13th District | 2022 | 65.2 | 63.4% | 61.3% | $2M | $5M | $5M |
|
Pele: Birth of a Legend | 2016 | 65.2 | 67.2% | 68.3% | $8M | $6M | $8M |
|
The Edukators | 2005 | 65.1 | 59.6% | 65.1% | $8M | $19M | $32M |
|
The Trip to Italy | 2014 | 65.1 | 59.7% | 68.2% | $6M | $18M | $24M |
|
A Perfect Day | 2016 | 65.0 | 68.3% | 60.7% | $4M | -$2M | -$3M |
|
Viceroy's House | 2017 | 64.7 | 56.2% | 73.5% | $12M | $4M | $5M |
|
Nobody Knows | 2005 | 64.6 | 60.0% | 56.3% | $2M | $25M | $42M |
|
Intermission | 2004 | 64.6 | 63.1% | 61.8% | $5M | $23M | $39M |
|
Summerland | 2020 | 64.5 | 62.5% | 61.5% | $1M | $14M | $17M |
|
Byzantium | 2013 | 64.5 | 74.6% | 54.1% | $828K | $3M | $4M |