IFC Films
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Distributor
Production Company
Movies594
Years1997-2025
Avg Score48.7
Worldwide Gross$1,774,246,942
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Weiner | 2016 | 64.1 | 61.7% | 54.6% | $2M | $14M | $19M |
|
Skinamarink | 2023 | 63.9 | 72.4% | 57.0% | $2M | $12M | $13M |
|
Looking for Eric | 2010 | 63.7 | 54.9% | 66.6% | $12M | $9M | $13M |
|
Welcome to the Punch | 2013 | 63.6 | 69.2% | 65.7% | $4M | -$6M | -$7M |
|
Perfect Sense | 2012 | 63.6 | 75.1% | 50.1% | $933K | -$614K | -$861K |
|
Black Sheep | 2007 | 63.5 | 66.2% | 61.4% | $5M | $15M | $23M |
|
Made in Italy | 2020 | 63.5 | 65.3% | 70.7% | $3M | $16M | $19M |
|
Enter the Void | 2010 | 63.5 | 72.1% | 47.2% | $809K | $3M | $5M |
|
Let the Sunshine In | 2018 | 63.4 | 61.8% | 66.6% | $4M | $9M | $11M |
|
Force of Nature: The Dry 2 | 2024 | 63.3 | 61.5% | 69.8% | $6M | $1M | $1M |
|
The Riot Club | 2015 | 63.3 | 68.6% | 60.5% | $4M | -$1M | -$1M |
|
Non-Fiction | 2019 | 63.3 | 58.4% | 66.7% | $4M | $10M | $12M |
|
The Selfish Giant | 2013 | 63.2 | 59.0% | 55.6% | $1M | $2M | $3M |
|
Ain't Them Bodies Saints | 2013 | 63.1 | 66.9% | 55.1% | $1M | $11M | $16M |
|
Weekend | 2011 | 63.0 | 63.1% | 49.1% | $1M | $17M | $24M |
|
The Trip | 2011 | 62.9 | 59.3% | 59.0% | $4M | $18M | $26M |
|
Mary Shelley | 2018 | 62.6 | 70.7% | 60.2% | $2M | $4M | $5M |
|
Mad God | 2022 | 62.6 | 71.0% | 43.3% | $325K | $10M | $11M |
|
The Night Listener | 2006 | 62.6 | 67.0% | 68.1% | $11M | $33M | $54M |
|
Good Kill | 2015 | 62.5 | 69.2% | 53.6% | $1M | $10M | $13M |
|
Hatching | 2022 | 62.5 | 68.9% | 48.2% | $508K | $4M | $5M |
|
Flame & Citron | 2009 | 62.4 | 52.0% | 65.3% | $10M | $8M | $12M |
|
Certain Women | 2016 | 62.4 | 65.8% | 53.4% | $2M | $11M | $14M |
|
The Clovehitch Killer | 2018 | 62.4 | 80.0% | 34.9% | $168K | $400K | $513K |
|
The Vigil | 2021 | 62.3 | 61.1% | 59.3% | $1M | $6M | $7M |
|
London Boulevard | 2011 | 62.2 | 68.8% | 65.7% | $8M | -$4M | -$5M |
|
Paranoid Park | 2008 | 62.2 | 61.9% | 58.2% | $5M | $17M | $26M |
|
Sleepwalk with Me | 2012 | 62.1 | 59.4% | 58.5% | $2M | $18M | $25M |
|
Undine | 2021 | 62.1 | 60.1% | 57.2% | $1M | $8M | $10M |
|
You Kill Me | 2007 | 62.1 | 61.0% | 59.9% | $4M | $23M | $35M |
|
The Cured | 2018 | 62.0 | 68.7% | 42.4% | $324K | $1M | $2M |
|
Liberal Arts | 2012 | 61.9 | 67.9% | 51.5% | $1M | $14M | $20M |
|
Chalet Girl | 2011 | 61.9 | 60.7% | 62.2% | $5M | -$13M | -$18M |
|
My Best Friend | 2007 | 61.8 | 64.2% | 72.1% | $15M | $32M | $50M |
|
Hampstead | 2019 | 61.7 | 61.3% | 70.8% | $6M | $4M | $5M |
|
The Secret of the Grain | 2008 | 61.7 | 45.8% | 70.7% | $15M | $6M | $9M |
|
A Call to Spy | 2020 | 61.3 | 61.2% | 55.8% | $786K | $19M | $23M |
|
Snowtown | 2012 | 61.2 | 61.9% | 53.2% | $1M | -$1M | -$1M |
|
Kill List | 2012 | 61.1 | 70.4% | 45.3% | $450K | $6M | $8M |
|
Room 237 | 2013 | 60.9 | 67.0% | 46.5% | $367K | $15M | $20M |
|
Wakefield | 2017 | 60.8 | 68.8% | 48.9% | $798K | $8M | $11M |
|
Bergman Island | 2021 | 60.8 | 61.9% | 54.9% | $1M | $10M | $11M |
|
The Reluctant Fundamentalist | 2013 | 60.8 | 60.4% | 61.3% | $2M | -$136K | $340K |
|
Ghostlight | 2024 | 60.7 | 59.4% | 45.2% | $768K | $5M | $6M |
|
Still Walking | 2009 | 60.7 | 49.4% | 57.6% | $4M | $13M | $19M |
|
First Position | 2012 | 60.5 | 53.0% | 55.8% | $2M | $17M | $24M |
|
Lost in La Mancha | 2003 | 60.4 | 59.1% | 49.3% | $1M | $26M | $45M |
|
The Painted Bird | 2020 | 60.1 | 58.8% | 53.1% | $660K | -$196M | -$238M |
|
Beyond the Hills | 2013 | 60.1 | 55.9% | 52.1% | $673K | $11M | $15M |
|
A Christmas Tale | 2008 | 60.0 | 50.7% | 63.5% | $7M | $20M | $29M |