IFC Films
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Distributor
Production Company
Movies594
Years1997-2025
Avg Score48.7
Worldwide Gross$1,774,246,942
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
My Big Fat Greek Wedding | 2002 | 90.3 | 92.2% | 98.1% | $369M | $244M | $437M |
|
Boyhood | 2014 | 89.5 | 95.3% | 83.9% | $48M | $37M | $51M |
|
Late Night with the Devil | 2024 | 86.8 | 92.7% | 80.1% | $15M | $17M | $18M |
|
The Death of Stalin | 2018 | 86.7 | 92.1% | 81.6% | $25M | $2M | $3M |
|
The Babadook | 2014 | 83.9 | 94.0% | 72.3% | $10M | $17M | $23M |
| Y tu mamá también | 2002 | 81.9 | 83.3% | 77.8% | $34M | $45M | $82M | |
|
Blue Is the Warmest Colour | 2013 | 81.9 | 85.7% | 75.9% | $20M | $19M | $26M |
|
I, Daniel Blake | 2017 | 81.0 | 83.0% | 75.6% | $16M | $10M | $13M |
|
Official Secrets | 2019 | 80.2 | 84.4% | 73.8% | $9M | $8M | $10M |
|
The Best Offer | 2014 | 80.0 | 87.0% | 77.2% | $21M | -$3M | -$4M |
|
The Dry | 2021 | 77.8 | 75.6% | 77.1% | $16M | $16M | $19M |
|
Frances Ha | 2013 | 77.7 | 80.8% | 70.8% | $9M | $19M | $26M |
|
The Rental | 2020 | 76.5 | 85.3% | 74.7% | $4M | $32M | $40M |
|
Like Father, Like Son | 2014 | 76.2 | 68.2% | 81.4% | $37M | $21M | $29M |
|
The Taste of Things | 2024 | 76.1 | 72.6% | 76.1% | $10M | $8M | $8M |
|
Memoir of a Snail | 2024 | 75.9 | 73.1% | 73.7% | $8M | $1M | $2M |
|
Relic | 2020 | 75.7 | 82.5% | 70.3% | $3M | $33M | $41M |
|
Two Days, One Night | 2014 | 75.6 | 75.3% | 71.3% | $9M | $10M | $14M |
|
This Is England | 2007 | 75.4 | 76.9% | 66.3% | $8M | $24M | $38M |
|
Gomorrah | 2008 | 75.2 | 69.9% | 80.1% | $35M | $26M | $40M |
|
The Man Who Knew Infinity | 2016 | 74.9 | 80.6% | 71.6% | $12M | $5M | $7M |
|
Watcher | 2022 | 74.8 | 82.8% | 64.8% | $3M | $8M | $9M |
|
45 Years | 2015 | 74.8 | 74.3% | 72.4% | $14M | $19M | $26M |
|
BlackBerry | 2023 | 74.7 | 82.9% | 55.6% | $2M | $5M | $5M |
|
The Wind that Shakes the Barley | 2007 | 74.2 | 67.4% | 76.7% | $23M | $23M | $36M |
|
Touching the Void | 2004 | 73.7 | 69.0% | 70.8% | $14M | $38M | $64M |
|
Benedetta | 2021 | 73.5 | 73.3% | 69.1% | $4M | -$8M | -$9M |
|
Elite Squad | 2008 | 73.5 | 77.0% | 70.5% | $15M | -$5M | -$6M |
|
Wildlife | 2018 | 73.5 | 78.5% | 63.6% | $3M | $10M | $13M |
|
When Evil Lurks | 2023 | 73.3 | 82.0% | 56.4% | $2M | $8M | $9M |
|
4 Months, 3 Weeks and 2 Days | 2008 | 73.3 | 71.7% | 66.9% | $10M | $27M | $41M |
|
The Kid with a Bike | 2012 | 72.6 | 70.7% | 68.7% | $7M | $13M | $18M |
| Le code a changé | 2010 | 72.2 | 87.1% | 68.9% | $15M | -$127M | -$182M | |
|
In the Loop | 2009 | 72.0 | 73.3% | 62.9% | $8M | $30M | $45M |
|
Dangerous Animals | 2025 | 71.8 | 71.3% | 69.7% | $8M | $6M | $6M |
|
The Angels' Share | 2013 | 71.7 | 66.7% | 73.4% | $13M | $16M | $22M |
|
The Good, the Bad, the Weird | 2010 | 71.6 | 63.3% | 77.9% | $44M | $16M | $23M |
|
Official Competition | 2022 | 71.5 | 68.5% | 68.7% | $5M | $10M | $11M |
|
The Nightingale | 2019 | 71.4 | 80.2% | 56.1% | $989K | $8M | $10M |
|
Phoenix | 2015 | 71.3 | 69.7% | 65.7% | $6M | $17M | $23M |
|
Babyteeth | 2020 | 70.9 | 72.7% | 60.5% | $1M | $749K | $931K |
|
In a Violent Nature | 2024 | 70.4 | 77.9% | 66.5% | $5M | $11M | $11M |
|
Hunger | 2008 | 70.4 | 76.7% | 54.7% | $3M | $14M | $20M |
|
The Nest | 2020 | 70.4 | 73.1% | 69.7% | $2M | $18M | $22M |
|
Clouds of Sils Maria | 2015 | 70.1 | 73.4% | 62.5% | $5M | $10M | $14M |
|
Young & Beautiful | 2014 | 70.1 | 70.1% | 71.6% | $10M | $5M | $8M |
|
Polisse | 2012 | 69.7 | 59.2% | 77.1% | $21M | $11M | $16M |
|
Venus in Fur | 2014 | 69.4 | 64.8% | 70.4% | $8M | $10M | $14M |
|
Personal Shopper | 2017 | 69.3 | 78.1% | 59.8% | $3M | $6M | $7M |
|
Tale of Tales | 2016 | 69.3 | 73.3% | 64.1% | $5M | -$6M | -$8M |