SCREEN PROFITS REPORT
The Passion of the Christ
2004 · Mel Gibson · Bruce Davey | Mel Gibson | Stephen McEveety · 2 hr 7 min
Depicts the final twelve hours in the life of Jesus of Nazareth, on the day of his crucifixion in Jerusalem.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Jim Caviezel | 2004 | $900,000 | $1,533,669 | (est) |
| Monica Bellucci | 2004 | $600,000 | $1,022,446 | (est) |
| Maia Morgenstern | 2004 | $375,000 | $639,029 | (est) |
| Sergio Rubini | 2004 | $810,475 | $1,381,111 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2004 | $370,274,604 | $630,976,152 |
| International International theatrical box office gross. | 2004 | $239,219,221 | $407,647,788 |
| Worldwide Combined worldwide theatrical box office gross. | 2004 | $609,493,825 | $1,012,166,294 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2004 | $280,824,990 (est) | $478,547,191 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2004 | $2,686,977 | $4,578,814 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2004 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2004 | $55,916,191 | $95,285,451 |
| Physical Purchases Physical Purchases: VHS $5,670,174, DVD $65,207,001 | 2004 | $70,877,175 | $120,780,109 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2004 | $77,137,118 (est) | $131,447,529 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2004 | $487,442,451 | $830,639,094 |
| Expenses | |||
| Budget Production budget. | 2004 | $30,000,000 | $49,820,011 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: The Passion of the Christ - WikipediaURL: https://en.wikipedia.org/wiki/The_Passion_of_the_ChristGibson and his company Icon Productions provided the film's sole backing, spending about $30 million on production costs and an estimated $15 million on marketing. | 2004 | $15,000,000 | $25,561,143 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2004 | $52,917,481 (est) | $90,175,421 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2004 | $12,088,573 (est) | $20,599,850 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2004 | $3,600,000 (est) | $6,134,674 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2004 | $113,606,054 | $192,291,099 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2004 | $373,836,397 | $638,347,995 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.