SCREEN PROFITS REPORT
The Last Days on Mars
2013 · Ruairí Robinson · Michael Kuhn | Andrea Cornwell · 1 hr 38 min
A group of astronaut explorers succumb one by one to a mysterious and terrifying force while collecting specimens on Mars.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Liev Schreiber | 2013 | $418,125 | $577,659 | (est) |
| Elias Koteas | 2013 | $341,808 | $472,223 | (est) |
| Romola Garai | 2013 | $324,639 | $448,503 | (est) |
| Goran Kostić | 2013 | $530,000 | $732,219 | (est) |
| Johnny Harris | 2013 | $85,248 | $117,774 | (est) |
| Tom Cullen | 2013 | $68,914 | $95,208 | (est) |
| Yusra Warsama [de | 2013 | $163,370 | $225,703 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2013 | $24,084 | $33,273 |
| International International theatrical box office gross. | 2013 | $163,107 | $225,340 |
| Worldwide Combined worldwide theatrical box office gross. | 2013 | $187,191 | $252,025 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2013 | $77,285 (est) | $106,772 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2013 | $2,886 | $3,987 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2013 | $1,954 | $2,700 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2013 | $2,704 | $3,736 |
| Physical Purchases Physical Purchases: DVD $3,514, BluRay $1,353 | 2013 | $4,868 | $6,725 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2013 | $5,046 (est) | $6,972 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2013 | $94,743 | $130,892 |
| Expenses | |||
| Budget Production budget. | 2013 | $10,600,000 | $14,271,330 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $409,944 | Reg Main Pred: $765,494 | 2013 | $150,000 (est) | $207,232 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2013 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2013 | $1,601 (est) | $2,212 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2013 | $1,272,000 (est) | $1,757,325 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2013 | $12,023,601 | $16,238,100 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2013 | $-11,928,858 | $-16,107,208 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.