SCREEN PROFITS REPORT
The Chamber
1996 · James Foley · John Davis | Brian Grazer | Ron Howard · 1 hr 53 min
A young man fresh out of law school tries to win a reprieve for his racist grandfather who is on death row.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Chris O'Donnell | 1996 | $4,000,000The Chamber(1996), $4,000,000.source | $8,206,501 | (rep) |
| Gene Hackman | 1996 | $1,064,471 | $2,183,896 | (est) |
| Faye Dunaway | 1996 | $475,588 | $975,728 | (est) |
| Lela Rochon | 1996 | $313,971 | $644,151 | (est) |
| Robert Prosky | 1996 | $525,275 | $1,077,667 | (est) |
| Raymond J. Barry | 1996 | $243,469 | $499,507 | (est) |
| David Marshall Grant | 1996 | $380,965 | $781,597 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1996 | $14,551,359 | $29,853,935 |
| International International theatrical box office gross. | 1996 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1996 | $14,551,359 | $29,093,444 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1996 | $7,275,680 (est) | $14,926,968 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1996 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1996 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1996 | $2,494,592 | $5,117,969 |
| Physical Purchases Physical Purchases: VHS $1,497,329 | 1996 | $1,497,329 | $3,071,958 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1996 | $3,448,515 (est) | $7,075,061 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1996 | $14,716,116 | $30,191,956 |
| Expenses | |||
| Budget Production budget. | 1996 | $40,000,000 | $79,974,506 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $5,753,126 | Reg Main Pred: $6,805,399 | 1996 | $6,050,000 (est) | $12,412,333 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1996 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1996 | $344,357 (est) | $706,492 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1996 | $4,800,000 (est) | $9,847,801 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1996 | $51,194,357 | $102,941,132 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1996 | $-36,478,241 | $-72,749,176 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.