SCREEN PROFITS REPORT
Rosencrantz and Guildenstern Are Undead
2010 · Tom Stoppard · Emanuel Azenberg | Michael Brandman · 1 hr 29 min
A director hires a playwright who is actually a vampire with a feud to settle.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Gary Oldman | 2010 | $364,500 | $537,976 | (est) |
| Tim Roth | 2010 | $210,786 | $311,105 | (est) |
| Richard Dreyfuss | 2010 | $170,100 | $251,055 | (est) |
| Iain Glen | 2010 | $121,500 | $179,325 | (est) |
| Ian Richardson | 2010 | $85,050 | $125,528 | (est) |
| Donald Sumpter | 2010 | $31,186 | $46,028 | (est) |
| Joanna Miles | 2010 | $27,996 | $41,320 | (est) |
| Joanna Roth | 2010 | $25,498 | $37,633 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2010 | $71,007 | $104,801 |
| International International theatrical box office gross. | 2010 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 2010 | $71,007 | $102,132 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2010 | $35,504 (est) | $52,401 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2010 | $3,240 | $4,782 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2010 | $1,580 | $2,332 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2010 | $6,881 | $10,155 |
| Physical Purchases Physical Purchases: DVD $8,627, BluRay $1,894 | 2010 | $10,521 | $15,528 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2010 | $13,891 (est) | $20,503 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2010 | $71,617 | $105,701 |
| Expenses | |||
| Budget Production budget. | 2010 | $2,430,000 | $3,495,144 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $266,376 | Reg Main Pred: $612,378 | 2010 | $80,000 (est) | $118,074 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2010 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2010 | $1,361 (est) | $2,008 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2010 | $291,600 (est) | $430,381 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2010 | $2,802,961 | $4,045,608 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2010 | $-2,731,344 | $-3,939,907 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.