ScreenProfits

SCREEN PROFITS REPORT

Meet the Parents

2000 · Jay Roach · Nancy Tenenbaum | Jay Roach | Jane Rosenthal | Robert De Niro · 1 hr 48 min

Chicago male nurse and chronic under-achiever Greg Focker meets his charming teacher girlfriend Pam Byrnes' parents Jack and Dina before proposing, but suspicious Jack is an overprotective former CIA agent - every date's worst nightmare.

Cast Salaries

Cast Salaries

View
Cast Year Salary Inflation adjusted salary Notes
Robert De Niro 2000 $1,802,689 $3,369,835 (est)
Ben Stiller 2000 $3,217,691 $6,014,952 (est)
Blythe Danner 2000 $400,000 $747,735 (est)
Teri Polo 2000 $1,178,035 $2,202,146 (est)
James Rebhorn 2000 $410,692 $767,722 (est)
Jon Abrahams 2000 $488,469 $913,114 (est)
Owen Wilson 2000 $1,100,000 $2,056,272 (est)
Box Office

Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.

Inflation-adjusted values are shown in 2025 dollars when CPI data is available.

View
Category Year Reported Inflation Adjusted
Domestic Domestic theatrical box office gross. 2000 $166,244,045 $310,766,307
International International theatrical box office gross. 2000 $164,200,000 $306,945,296
Worldwide Combined worldwide theatrical box office gross. 2000 $330,444,045 $601,976,173
Earnings / Profitability

Earnings / Profitability

Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.

View
Category Year Reported Inflation Adjusted
Revenues
Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. 2000 $148,802,023 (est) $278,161,272 (est)
Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. 2000 $0 $0
Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. 2000 $0 $0
Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. 2000 $23,013,317 $43,019,668
Physical Purchases Physical Purchases: VHS $13,792,282, DVD $6,947,992 2000 $20,740,274 $38,770,582
TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. 2000 $36,912,690 (est) $69,002,293 (est)
Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. 2000 $229,468,304 $428,953,815
Expenses
Budget Production budget. 2000 $55,000,000 $100,194,541
Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: Meet the Parents - WikipediaURL: https://en.wikipedia.org/wiki/Meet_the_ParentsDistributed domestically by Universal Studios, it had an advertising budget of $33.9 million. 2000 $33,900,000 $63,370,557
Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2000 $15,459,386 (est) $28,898,817 (est)
Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2000 $5,140,090 (est) $9,608,565 (est)
Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2000 $6,600,000 (est) $12,337,631 (est)
Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. 2000 $116,099,476 $214,410,112
Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. 2000 $113,368,828 $214,543,704
Similar Movies

Similar Movies

View all similar movies

Related titles based on shared genres and franchise overlap.

Deep Dives & Reports

Deep Dives & Reports

Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.