Synopsis
When twelve cartoons depicting the Prophet Muhammad were published by Denmark's largest newspaper in 2005, European muslim groups denounced the cartoons as insulting and sacrilegious. To everyone's surprise, the protests against the Muhammad drawings took a worldwide scale, even leading to violent demonstrations in several Muslim countries. In France, the satirical news magazine Charlie Hebdo joined the conversation and reprinted the controversial cartoons, causing an uproar among the country's growing Muslim population. Months later, the Great Mosque of Paris, the World Muslim League and the Union of Islamic Organizations of France took Charlie Hebdo's editor Philippe Val to court for defamation and incitement of hatred. Tough Being Loved by Jerks offers a real-time account of the ensuing trial, arguably one most divisive and heated legal proceedings in recent French history. The film features lawyers, witnesses, journalists, editorial conferences, demonstrations of support, as well as the reactions of the prosecutors and Muslim leaders around the world. Given new relevance after the January 7, 2015, attacks at the Charlie Hebdo offices, which left 12 dead and 11 wounded, Tough Being Loved by Jerks also features candid interviews (and rarely seen behind-the-scenes moments) with acclaimed Charlie Hebdo cartoonists, such as Cabu, Charb, Tignous and Wolinski, who were killed on January 7, 2015. As such, the film offers a unique perspective into the current debate around France's founding ideals and its current realities.
Scores
Popularity Percentile (Year)
83.5%
Box Office Percentile (Year)
0.2%
Critic Consensus
83.3% Fresh • 484 critic reviews
Critic reception is largely positive, with 83% of 484 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize thin plot, emotional, funny. Most critics frame the film as an effective delivery of its core style and intent.
thin plotemotionalfunnyvisually strikinglightheartedupliftingpoliticalstylizedaction-packedcharacter-driven
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| David Corenswet | 2015 | $23,695,000 | $31,363,000 | (est) |
| Rachel Brosnahan | 2015 | $14,586,000 | $19,306,000 | (est) |
| Nicholas Hoult | 2015 | $10,982,000 | $14,536,000 | (est) |
| Edi Gathegi | 2015 | $8,979,000 | $11,884,000 | (est) |
| Anthony Carrigan | 2015 | $7,680,000 | $10,166,000 | (est) |
| Nathan Fillion | 2015 | $6,760,000 | $8,948,000 | (est) |
| Isabela Merced | 2015 | $6,069,000 | $8,033,000 | (est) |
Aggregated Reviews
Rotten Tomatoes critic score83.0
RT critic review count484
Rotten Tomatoes audience score90.0
RT audience rating count25,000
IMDb rating6.1
IMDb votes72,228
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2015 | $697 | $923 |
| International | 2015 | N/A | N/A |
| Worldwide | 2015 | $697 | $923 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2015 | $348 | $461 |
| Digital Rentals ? | 2015 | $14,000 | $18,531 |
| Digital Purchases ? | 2015 | $15,000 | $19,854 |
| Physical Rentals ? | 2015 | $16,000 | $21,178 |
| Physical Purchases ? | 2015 | $43,000 | $56,916 |
| TV & Streaming Revenue | 2015 | $75,000 | $99,272 |
| Total Revenues | 2015 | $163,348 | $216,213 |
| Expenses |
| Budget ? | 2015 | $250,000 (est) | $330,907 (est) |
| Print & Advertising (P&A) ? | 2015 | $80,000 (est) | $105,890 (est) |
| Participations | 2015 | $3,000 | $3,971 |
| Residuals ? | 2015 | $8,000 | $10,589 |
| Interest & Overhead | 2015 | $50,000 | $66,181 |
| Total Expenses | 2015 | $391,000 | $517,539 |
| Movie Net Profit or Loss | 2015 | $-227,652 | $-301,326 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Waltz with Bashir | 2008 | Shared genres: 2 | 74.1 | $28,266,673 |
 | Jiro Dreams of Sushi | 2012 | Shared genres: 2 | 72.4 | $22,790,185 |
 | Kedi | 2017 | Shared genres: 2 | 70.7 | $15,782,693 |
 | Armadillo | 2011 | Shared genres: 2 | 70.0 | $2,296,931 |
 | The Invisibles | 2019 | Shared genres: 2 | 68.6 | $9,097,555 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $30,000, BluRay $14,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=8020;reg_main_pred=92401
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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