Kino Lorber
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Distributor
Production Company
Movies274
Years2003-2025
Avg Score38.7
Worldwide Gross$216,491,710
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Bacurau | 2020 | 80.1 | 83.2% | 73.4% | $4M | $15M | $19M |
|
Long Day's Journey Into Night | 2019 | 75.0 | 65.7% | 84.5% | $42M | $14M | $18M |
|
The Old Oak | 2024 | 72.0 | 67.9% | 74.0% | $8M | $5M | $6M |
|
A Hard Day | 2015 | 69.6 | 60.2% | 76.9% | $26M | $5M | $7M |
|
Beanpole | 2020 | 69.3 | 65.6% | 66.9% | $2M | $20M | $25M |
|
Russian Ark | 2013 | 67.6 | 89.7% | 26.3% | $38K | -$13M | -$17M |
|
The Great Museum | 2015 | 66.8 | 83.9% | 33.3% | $134K | $318K | $563K |
|
The Mountain | 2019 | 66.7 | 96.4% | 22.2% | $61K | -$11M | -$13M |
|
A Girl Walks Home Alone at Night | 2014 | 66.3 | 73.0% | 48.8% | $587K | $14M | $19M |
|
Custody | 2018 | 65.9 | 65.7% | 65.4% | $4M | $4M | $6M |
|
Green Border | 2024 | 65.7 | 59.6% | 65.2% | $4M | $4M | $4M |
|
Sweet Bean | 2016 | 65.2 | 59.7% | 62.7% | $5M | $9M | $12M |
|
All Together | 2012 | 64.7 | 52.3% | 70.6% | $9M | $8M | $12M |
|
Babylon | 2019 | 63.6 | 93.9% | 27.5% | $111K | -$83M | -$102M |
| The Rocket | 2014 | 63.1 | 73.9% | 46.8% | $449K | -$35M | -$47M | |
|
3 Faces | 2019 | 63.1 | 55.5% | 62.6% | $2M | $4M | $5M |
evolution.webp)
|
Steak (R)evolution | 2015 | 62.9 | 94.0% | 10.1% | $8K | $2M | -$295M |
|
Souleymane's Story | 2025 | 62.5 | 51.9% | 61.3% | $4M | $2M | $2M |
|
Clash | 2017 | 62.4 | 80.7% | 35.4% | $143K | -$13M | -$17M |
|
What Will People Say | 2018 | 61.5 | 55.4% | 60.8% | $2M | $3M | $4M |
|
Scrapper | 2023 | 61.4 | 58.9% | 52.4% | $1M | $5M | $6M |
|
A Touch of Sin | 2013 | 61.4 | 57.8% | 54.4% | $855K | $11M | $16M |
|
Hit the Road | 2022 | 61.4 | 57.6% | 53.7% | $995K | $7M | $8M |
|
The Garden | 2019 | 60.8 | 96.0% | 3.6% | $5K | -$2M | -$3M |
|
The Measure of a Man | 2016 | 60.2 | 49.6% | 65.6% | $7M | $8M | $10M |
|
The Well-Digger's Daughter | 2012 | 60.0 | 40.3% | 74.6% | $13M | $3M | $5M |
|
Mountains May Depart | 2016 | 59.7 | 49.1% | 63.5% | $5M | $6M | $8M |
|
A Faithful Man | 2019 | 59.3 | 53.9% | 61.2% | $2M | $2M | $3M |
|
Keep Quiet | 2017 | 58.2 | 69.9% | 27.9% | $50K | -$13M | -$16M |
|
Tom of Finland | 2017 | 57.5 | 51.8% | 54.8% | $2M | $5M | $7M |
|
Bombshell: The Hedy Lamarr Story | 2017 | 57.3 | 49.6% | 50.4% | $1M | $9M | $12M |
|
Young Ahmed | 2020 | 56.7 | 48.6% | 66.3% | $2M | $8M | $10M |
|
Faith Connections | 2014 | 56.5 | 82.6% | 10.6% | $9K | $2M | -$215M |
|
Camille Claudel 1915 | 2013 | 56.3 | 48.3% | 51.5% | $660K | $6M | $8M |
|
The Daughter | 2017 | 56.2 | 65.0% | 53.7% | $2M | -$43M | -$55M |
|
Synonyms | 2019 | 56.0 | 59.0% | 48.5% | $501K | $6M | $8M |
|
More Than Honey | 2013 | 55.8 | 39.4% | 59.4% | $2M | $7M | $10M |
|
Fire at Sea | 2016 | 55.6 | 48.9% | 51.4% | $1M | $8M | $11M |
|
Hard to Be a God | 2015 | 55.5 | 47.8% | 52.6% | $1M | -$3M | -$4M |
|
Tehran Taboo | 2018 | 55.4 | 51.6% | 43.8% | $350K | $4M | $5M |
|
The Fairy | 2012 | 55.2 | 79.3% | 34.9% | $130K | -$45M | -$61M |
|
Slack Bay | 2017 | 55.0 | 47.7% | 64.3% | $5M | -$889K | -$916K |
|
Tower | 2016 | 54.3 | 55.1% | 32.5% | $102K | $7M | $10M |
|
Murina | 2022 | 54.2 | 49.1% | 46.5% | $408K | $4M | $5M |
|
Soundtrack to a Coup d'Etat | 2024 | 53.9 | 48.9% | 38.4% | $434K | $5M | $5M |
|
There Is No Evil | 2021 | 53.8 | 54.7% | 52.8% | $903K | -$26M | -$30M |
|
France | 2021 | 53.8 | 49.5% | 59.0% | $1M | -$18B | -$21B |
|
It's Hard Being Loved by Jerks | 2015 | 53.6 | 83.5% | 0.2% | $697 | -$272K | -$298M |
|
Four Daughters | 2023 | 52.3 | 48.3% | 37.5% | $412K | $5M | $5M |
|
La Syndicaliste | 2023 | 52.0 | 33.9% | 62.7% | $4M | $1M | $1M |