Synopsis
An estimated 200,000 Chinese women were forced into prostitution by the Japanese army during WWII. Only 22 of them remain today to speak out publicly. This documentary is not a film for political gains or narrow nationalistic purposes. For the director and the crew, each and every one of those elderly women is a brave and strong individual with similar yet distinctive experiences. This is a group that deserves to be known and correctly understood by more people and a history worth being preserved in a most accurate yet sensitive way. In the documentary, the current situation of those 22 elderly women will be presented in an impersonal way. There's no interrogation, sympathy, nor exaggeration in our film. You will hear them talk about their own experiences, and you will also learn about their perspectives on life, sufferings and happiness. Now all over 80 or 90 years old, those elderly ladies are at the very last stage of their life. This is probably the last chance for the public to actually see their situations and hear their own words while they are still alive. It should not be a history just written on pages.
Scores
Popularity Percentile (Year)
17.8%
Box Office Percentile (Year)
79.4%
Critic Consensus
100.0% Fresh • 2 critic reviews
Critic reception is largely positive, with 100% of 2 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize funny, lighthearted, historical. Most critics frame the film as an effective delivery of its core style and intent.
funnylightheartedhistoricalcharacter-drivenemotionalvisually striking
Aggregated Reviews
Rotten Tomatoes critic scoreN/A
RT critic review count2
Rotten Tomatoes audience score70.0
RT audience rating count25
IMDb rating7.4
IMDb votes631
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2017 | $46,796 | $59,894 |
| International | 2017 | $26,242,582 | $33,587,506 |
| Worldwide | 2017 | $26,289,378 | $33,647,400 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2017 | $10,520,431 | $13,464,949 |
| Digital Rentals ? | 2017 | $1,019,000 | $1,304,204 |
| Digital Purchases ? | 2017 | $1,137,000 | $1,455,230 |
| Physical Rentals ? | 2017 | $760,000 | $972,713 |
| Physical Purchases ? | 2017 | $2,183,000 | $2,793,991 |
| TV & Streaming Revenue | 2017 | $4,337,700 | $5,551,760 |
| Total Revenues | 2017 | $19,957,131 | $25,542,847 |
| Expenses |
| Budget ? | 2017 | $14,459,000 (est) | $18,505,868 (est) |
| Print & Advertising (P&A) ? | 2017 | $1,273,000 (est) | $1,629,295 (est) |
| Participations | 2017 | $399,000 | $510,674 |
| Residuals ? | 2017 | $482,000 | $616,905 |
| Interest & Overhead | 2017 | $2,891,800 | $3,701,174 |
| Total Expenses | 2017 | $19,504,800 | $24,963,915 |
| Movie Net Profit or Loss | 2017 | $452,331 | $578,932 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Waltz with Bashir | 2008 | Shared genres: 4 | 74.1 | $28,266,673 |
 | The Counterfeiters | 2008 | Shared genres: 4 | 72.6 | $23,030,170 |
 | The Act of Killing | 2013 | Shared genres: 4 | 69.5 | $15,518,283 |
 | The Invisibles | 2019 | Shared genres: 4 | 68.6 | $9,097,555 |
 | Sophie Scholl: The Final Days | 2006 | Shared genres: 4 | 67.6 | $23,225,492 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $1,408,000, BluRay $775,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=1265182;reg_main_pred=1292497
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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