SCREEN PROFITS REPORT
2019 · Radu Jude · Jim Morris | Colin Wilson | Lindsey Collins · 160 minutes
I Do Not Care If We Go Down in History as Barbarians ( Romanian : Îmi este indiferent dacă în istorie vom intra ca barbari ) is a 2018 black comedy film written and directed by Radu Jude . The title is pulled from a speech by Romanian Minister of Foreign Affairs Mihai Antonescu to the Council of Ministers preceding the 1941 Odessa massacre .
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Taylor Kitsch | 2019 | $1,540,539 | $1,939,380 | (est) |
| Lynn Collins | 2019 | $750,000 | $944,173 | (est) |
| Samantha Morton | 2019 | $400,000 | $503,559 | (est) |
| Mark Strong | 2019 | $822,785 | $1,035,802 | (est) |
| Ciarán Hinds | 2019 | $562,972 | $708,724 | (est) |
| Dominic West | 2019 | $954,163 | $1,201,193 | (est) |
| James Purefoy | 2019 | $523,598 | $659,156 | (est) |
| Willem Dafoe | 2019 | $934,079 | $1,175,909 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2019 | $11,307 | $14,234 |
| International International theatrical box office gross. | 2019 | $27,864 | $35,078 |
| Worldwide Combined worldwide theatrical box office gross. | 2019 | $39,171 | $48,056 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2019 | $16,799 (est) | $21,148 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2019 | $2,091 | $2,632 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2019 | $2,204 | $2,774 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2019 | $410 | $516 |
| Physical Purchases Physical Purchases: DVD $655, BluRay $437 | 2019 | $1,092 | $1,375 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2019 | $2,174 (est) | $2,737 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2019 | $24,769 | $31,182 |
| Expenses | |||
| Budget Production budget. | 2019 | $306,600,000 | $376,145,561 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $304,270 | Reg Main Pred: $2,037,114 | 2019 | $80,000 (est) | $100,712 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $349 (est) | $440 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $36,792,000 (est) | $46,317,344 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2019 | $343,472,349 | $422,564,056 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2019 | $-343,447,580 | $-422,532,874 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
