SCREEN PROFITS REPORT
2012 · Mark Andrews | Brenda Chapman · Katherine Sarafian · 1 hr 33 min
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Kelly Macdonald | 2012 | $1,500,000 | $2,103,005 | (est) |
| Emma Thompson | 2012 | $1,098,077 | $1,539,508 | (est) |
| Billy Connolly | 2012 | $1,023,945 | $1,435,574 | (est) |
| Julie Walters | 2012 | $843,010 | $1,181,903 | (est) |
| Robbie Coltrane | 2012 | $1,805,736 | $2,531,648 | (est) |
| Kevin McKidd | 2012 | $1,546,768 | $2,168,574 | (est) |
| Craig Ferguson | 2012 | $1,971,036 | $2,763,399 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2012 | $237,283,207 | $332,671,883 |
| International International theatrical box office gross. | 2012 | $301,700,000 | $422,984,451 |
| Worldwide Combined worldwide theatrical box office gross. | 2012 | $538,983,207 | $736,406,934 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2012 | $239,321,604 (est) | $335,529,722 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2012 | $15,156,001 | $21,248,767 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2012 | $10,016,476 | $14,043,135 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2012 | $15,768,718 | $22,107,797 |
| Physical Purchases Physical Purchases: DVD $19,534,357, BluRay $6,863,423 | 2012 | $26,397,779 | $37,009,779 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2012 | $44,712,339 (est) | $62,686,855 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2012 | $351,372,918 | $492,626,055 |
| Expenses | |||
| Budget Production budget. | 2012 | $185,000,000 | $252,763,502 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 7 | Peer Median: $143,800,000 | Reg Box Pred: $91,173,409 | Reg Main Pred: $160,585,817 | 2012 | $131,287,000 (est) | $184,064,831 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2012 | $790,807 (est) | $1,108,714 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2012 | $6,184,163 (est) | $8,670,219 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2012 | $22,200,000 (est) | $31,124,477 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2012 | $345,461,970 | $477,731,743 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2012 | $5,910,947 | $14,894,312 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
