SCREEN PROFITS REPORT
A Monster Calls
2016 · J. A. Bayona · Belén Atienza · 1 hr 48 min
Conor, a twelve-year-old boy, encounters an ancient tree monster who proceeds to help him cope with his mother's terminal illness and being bullied in school.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Lewis MacDougall | 2016 | $1,290,000 | $1,730,212 | (est) |
| Sigourney Weaver | 2016 | $1,156,861 | $1,551,640 | (est) |
| Felicity Jones | 2016 | $501,785 | $673,019 | (est) |
| Toby Kebbell | 2016 | $1,208,973 | $1,621,535 | (est) |
| Liam Neeson | 2016 | $1,505,000 | $2,018,581 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2016 | $3,740,823 | $5,017,379 |
| International International theatrical box office gross. | 2016 | $43,568,490 | $58,436,237 |
| Worldwide Combined worldwide theatrical box office gross. | 2016 | $47,309,313 | $61,837,215 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2016 | $19,297,808 (est) | $25,883,184 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2016 | $536,674 | $719,814 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2016 | $459,266 | $615,990 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2016 | $232,225 | $311,471 |
| Physical Purchases Physical Purchases: DVD $334,094, BluRay $169,060 | 2016 | $503,153 | $674,855 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2016 | $733,607 (est) | $983,951 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2016 | $21,762,733 | $29,189,266 |
| Expenses | |||
| Budget Production budget. | 2016 | $43,000,000 | $56,204,583 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: A Monster Calls: A Hit In Spain and a Flop Everywhere Else | Bomb ReportURL: https://bombreport.com/yearly-breakdowns/2016-2/a-monster-calls/Focus boarded the pic as US distributor and committed a $20 million minimum for P&A. | 2016 | $20,000,000 | $26,825,000 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $335,146 (est) | $449,515 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $5,160,000 (est) | $6,920,850 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2016 | $68,495,146 | $90,399,948 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2016 | $-46,732,413 | $-61,210,683 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.