Synopsis
In these divided times, religious institutions are losing young members and even closing their doors at an alarming rate. Director Aaron Wolf's personal journey of rediscovery comes alive in Restoring Tomorrow, a universal story of hope as a treasured local temple near demise, is lifted up by a community's determination to achieve the impossible. Wolf's journey explores how when any community puts their mind to it, the impossible becomes possible. Wilshire Boulevard Temple, a Los Angeles treasure built by the original Hollywood moguls, needs to raise millions to restore its majesty and vibrancy, thus also restoring the future of the Jewish community, the greater Los Angeles community-and on a personal level, Wolf himself.
Scores
Popularity Percentile (Year)
74.9%
Box Office Percentile (Year)
16.0%
Critic Consensus
83.3% Fresh • 484 critic reviews
Critic reception is largely positive, with 83% of 484 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize thin plot, emotional, funny. Most critics frame the film as an effective delivery of its core style and intent.
thin plotemotionalfunnyvisually strikinglightheartedupliftingpoliticalstylizedaction-packedcharacter-driven
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| David Corenswet | 2018 | $23,695,000 | $29,602,000 | (est) |
| Rachel Brosnahan | 2018 | $14,586,000 | $18,222,000 | (est) |
| Nicholas Hoult | 2018 | $10,982,000 | $13,719,000 | (est) |
| Edi Gathegi | 2018 | $8,979,000 | $11,217,000 | (est) |
| Anthony Carrigan | 2018 | $7,680,000 | $9,595,000 | (est) |
| Nathan Fillion | 2018 | $6,760,000 | $8,445,000 | (est) |
| Isabela Merced | 2018 | $6,069,000 | $7,581,000 | (est) |
Aggregated Reviews
Rotten Tomatoes critic score83.0
RT critic review count484
Rotten Tomatoes audience score90.0
RT audience rating count25,000
IMDb rating8.6
IMDb votes77
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2018 | $28,556 | $35,675 |
| International | 2018 | N/A | N/A |
| Worldwide | 2018 | $28,556 | $35,675 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2018 | $14,278 | $17,838 |
| Digital Rentals ? | 2018 | $661,000 | $825,789 |
| Digital Purchases ? | 2018 | $796,000 | $994,445 |
| Physical Rentals ? | 2018 | $407,000 | $508,466 |
| Physical Purchases ? | 2018 | $1,154,000 | $1,441,696 |
| TV & Streaming Revenue | 2018 | $75,000 | $93,698 |
| Total Revenues | 2018 | $3,107,278 | $3,881,932 |
| Expenses |
| Budget ? | 2018 | $250,000 (est) | $312,326 (est) |
| Print & Advertising (P&A) ? | 2018 | $80,000 (est) | $99,944 (est) |
| Participations | 2018 | $124,000 | $154,914 |
| Residuals ? | 2018 | $153,000 | $191,143 |
| Interest & Overhead | 2018 | $50,000 | $62,465 |
| Total Expenses | 2018 | $657,000 | $820,792 |
| Movie Net Profit or Loss | 2018 | $2,450,278 | $3,061,140 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Fahrenheit 9/11 | 2004 | Shared genres: 1 | 87.4 | $149,890,765 |
 | Free Solo | 2018 | Shared genres: 1 | 87.1 | $25,984,082 |
 | Bowling for Columbine | 2002 | Shared genres: 1 | 86.1 | $62,944,215 |
 | Taylor Swift: The Eras Tour | 2023 | Shared genres: 1 | 85.8 | $87,607,891 |
 | Jackass Forever | 2022 | Shared genres: 1 | 85.1 | $46,545,808 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $712,000, BluRay $442,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=73488;reg_main_pred=385392
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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