SCREEN PROFITS REPORT
We're No Angels
1989 · Neil Jordan · Art Linson · 1 hr 46 min
Two fugitives pass themselves off as priests in the hope of evading capture and passing the police blockade at the border with Canada.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Robert De Niro | 1989 | $1,732,595 | $4,497,761 | (est) |
| Sean Penn | 1989 | $956,585 | $2,483,264 | (est) |
| Hoyt Axton | 1989 | $369,638 | $959,568 | (est) |
| Bruno Kirby | 1989 | $160,000 | $415,355 | (est) |
| Ray McAnally | 1989 | $100,000 | $259,597 | (est) |
| James Russo | 1989 | $206,847 | $536,968 | (est) |
| Demi Moore | 1989 | $400,000 | $1,038,387 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1989 | $10,555,348 | $27,401,343 |
| International International theatrical box office gross. | 1989 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1989 | $10,555,348 | $26,703,328 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1989 | $5,224,897 (est) | $13,563,665 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1989 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1989 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1989 | $1,538,843 | $3,994,788 |
| Physical Purchases Physical Purchases: VHS $607,049 | 1989 | $607,049 | $1,575,879 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1989 | $2,718,120 (est) | $7,056,152 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1989 | $10,088,909 | $26,190,483 |
| Expenses | |||
| Budget Production budget. | 1989 | $20,000,000 | $50,596,774 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $3,921,674 | Reg Main Pred: $6,165,973 | 1989 | $4,492,000 (est) | $11,661,087 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1989 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1989 | $224,983 (est) | $584,048 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1989 | $2,380,000 (est) | $6,178,403 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1989 | $27,096,983 | $69,020,312 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1989 | $-17,008,073 | $-42,829,829 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.