SCREEN PROFITS REPORT
Underclassman
2005 · Marcos Siega · Peter Abrams | Robert L. Levy | Andrew Panay · 1 hr 35 min
A young detective goes undercover at an elite private school to destroy an international stolen car ring.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Nick Cannon | 2005 | $831,959 | $1,371,263 | (est) |
| Shawn Ashmore | 2005 | $592,029 | $975,802 | (est) |
| Roselyn Sánchez | 2005 | $552,345 | $910,394 | (est) |
| Kelly Hu | 2005 | $288,700 | $475,845 | (est) |
| Hugh Bonneville | 2005 | $875,000 | $1,442,204 | (est) |
| Cheech Marin | 2005 | $371,611 | $612,502 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2005 | $5,655,459 | $9,321,517 |
| International International theatrical box office gross. | 2005 | $224,096 | $369,363 |
| Worldwide Combined worldwide theatrical box office gross. | 2005 | $5,879,555 | $9,444,016 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2005 | $2,917,368 (est) | $4,808,503 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2005 | $68,112 | $112,264 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2005 | $12,344 | $20,345 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2005 | $912,256 | $1,503,611 |
| Physical Purchases Physical Purchases: VHS $26,546, DVD $1,300,777 | 2005 | $1,327,324 | $2,187,740 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2005 | $1,198,099 (est) | $1,974,747 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2005 | $6,435,502 | $10,607,210 |
| Expenses | |||
| Budget Production budget. | 2005 | $25,000,000 | $40,156,170 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $5,124,417 | Reg Main Pred: $5,259,231 | 2005 | $5,164,000 (est) | $8,511,478 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2005 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2005 | $158,957 (est) | $261,998 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2005 | $3,000,000 (est) | $4,944,700 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2005 | $33,322,957 | $53,874,346 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2005 | $-26,887,455 | $-43,267,136 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.