SCREEN PROFITS REPORT
The Taste of Others
2000 · Agnès Jaoui · Christian Bérard | Charles Gassot | Jacques Hinstin · 1 hr 52 min
The lives of 6 people over 35 in Rouen, France, and their relationship to each other.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Anne Alvaro | 2000 | $613,810 | $1,147,418 | (est) |
| Jean-Pierre Bacri | 2000 | $204,000 | $381,345 | (est) |
| Alain Chabat | 2000 | $564,762 | $1,055,731 | (est) |
| Agnès Jaoui | 2000 | $453,490 | $847,726 | (est) |
| Gérard Lanvin | 2000 | $198,955 | $371,914 | (est) |
| Christiane Millet | 2000 | $175,117 | $327,353 | (est) |
| Wladimir Yordanoff | 2000 | $157,205 | $293,869 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2000 | $891,369 | $1,666,270 |
| International International theatrical box office gross. | 2000 | $130,569 | $244,078 |
| Worldwide Combined worldwide theatrical box office gross. | 2000 | $1,021,938 | $1,861,684 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2000 | $497,912 (est) | $930,766 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2000 | $139,299 | $260,397 |
| Physical Purchases Physical Purchases: VHS $83,824, DVD $42,227 | 2000 | $126,051 | $235,631 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2000 | $204,281 (est) | $381,871 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2000 | $967,543 | $1,808,665 |
| Expenses | |||
| Budget Production budget. | 2000 | $10,200,000 | $18,581,533 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $1,490,760 | Reg Main Pred: $2,117,965 | 2000 | $818,000 (est) | $1,529,118 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $21,673 (est) | $40,514 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $1,224,000 (est) | $2,288,070 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2000 | $12,263,673 | $22,439,235 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2000 | $-11,296,130 | $-20,630,571 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.