SCREEN PROFITS REPORT
2002 · Phil Alden Robinson · Mace Neufeld · 2 hr 4 min
CIA analyst Jack Ryan must stop the plans of a Neo-Nazi faction that threatens to incite a catastrophic conflict between the United States and Russia by detonating a nuclear weapon at a football game in Baltimore, Maryland.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Ben Affleck | 2002 | $10,000,000Ben Affleck Career Earnings * The Sum of All Fears. $10 Million.source | $17,893,274 | (rep) |
| Morgan Freeman | 2002 | $2,901,363 | $5,191,488 | (est) |
| James Cromwell | 2002 | $572,241 | $1,023,927 | (est) |
| Liev Schreiber | 2002 | $533,673 | $954,916 | (est) |
| Alan Bates | 2002 | $217,008 | $388,298 | (est) |
| Philip Baker Hall | 2002 | $414,313 | $741,342 | (est) |
| Ron Rifkin | 2002 | $385,027 | $688,939 | (est) |
| Bruce McGill | 2002 | $302,874 | $541,941 | (est) |
| Ciarán Hinds | 2002 | $777,280 | $1,390,808 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2002 | $118,907,036 | $212,763,618 |
| International International theatrical box office gross. | 2002 | $75,014,336 | $134,225,207 |
| Worldwide Combined worldwide theatrical box office gross. | 2002 | $193,921,372 | $338,149,719 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2002 | $89,459,252 (est) | $160,071,892 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2002 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2002 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2002 | $17,202,293 | $30,780,534 |
| Physical Purchases Physical Purchases: VHS $5,863,511, DVD $13,051,040 | 2002 | $18,914,551 | $33,844,325 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2002 | $25,788,691 (est) | $46,144,411 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2002 | $151,364,787 | $270,841,161 |
| Expenses | |||
| Budget Production budget. | 2002 | $68,000,000 | $118,574,764 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 1 | Reg Box Pred: $40,510,308 | Reg Main Pred: $32,918,349 | 2002 | $38,065,000 (est) | $68,110,748 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2002 | $4,100,784 (est) | $7,337,646 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2002 | $3,526,800 (est) | $6,310,599 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2002 | $8,160,000 (est) | $14,600,912 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2002 | $121,852,584 | $214,934,668 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2002 | $29,512,203 | $55,906,493 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
