SCREEN PROFITS REPORT
The Lure
2017 · Agnieszka Smoczyńska · Włodzimierz Niderhaus · 1 hr 32 min
In Warsaw, two mermaid sisters become caught in a love triangle when they fall for the same man.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Kinga Preis | 2017 | $7,500 | $9,850 | (est) |
| Michalina Olszańska | 2017 | $5,000 | $6,567 | (est) |
| Marta Mazurek | 2017 | $3,125 | $4,104 | (est) |
| Jakub Gierszał | 2017 | $2,000 | $2,627 | (est) |
| Andrzej Konopka | 2017 | $8,750 | $11,492 | (est) |
| Zygmunt Malanowicz | 2017 | $750 | $985 | (est) |
| Marcin Kowalczyk | 2017 | $750 | $985 | (est) |
| Magdalena Cielecka | 2017 | $5,000 | $6,567 | (est) |
| Katarzyna Herman | 2017 | $750 | $985 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2017 | $101,657 | $133,510 |
| International International theatrical box office gross. | 2017 | $7,189 | $9,442 |
| Worldwide Combined worldwide theatrical box office gross. | 2017 | $108,846 | $139,310 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2017 | $53,704 (est) | $70,532 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2017 | $10,416 | $13,680 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2017 | $9,961 | $13,082 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2017 | $2,976 | $3,909 |
| Physical Purchases Physical Purchases: DVD $4,331, BluRay $2,415 | 2017 | $6,747 | $8,861 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2017 | $18,347 (est) | $24,096 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2017 | $102,151 | $134,160 |
| Expenses | |||
| Budget Production budget. | 2017 | $250,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $385,879 | Reg Main Pred: $1,272,530 | 2017 | $87,000 (est) | $114,261 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $1,532 (est) | $2,012 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $30,000 (est) | $39,400 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2017 | $368,532 | $484,009 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2017 | $-266,381 | $-349,849 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.