Janus Films
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Distributor
Movies89
Years2005-2025
Avg Score43.1
Worldwide Gross$121,316,294
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Flow | 2024 | 88.3 | 89.0% | 84.8% | $31M | $15M | $16M |
| Flow | 2025 | 82.5 | 93.1% | 62.9% | $5M | $7M | $7M | |
|
Drive My Car | 2021 | 81.5 | 83.9% | 76.6% | $15M | $22M | $27M |
|
The Great Beauty | 2013 | 80.7 | 81.2% | 78.2% | $25M | $14M | $20M |
|
In the Mood for Love | 2025 | 72.1 | 82.7% | 49.4% | $2M | $2M | $2M |
|
The Innocent | 2023 | 69.1 | 69.0% | 66.3% | $5M | -$19M | -$20M |
|
Le Havre | 2011 | 68.2 | 59.7% | 70.1% | $13M | $15M | $21M |
|
Evil Does Not Exist | 2024 | 67.6 | 66.1% | 60.7% | $3M | $6M | $7M |
|
The Other Side of Hope | 2017 | 67.2 | 64.1% | 63.2% | $4M | $7M | $9M |
|
Vermiglio | 2024 | 65.5 | 55.7% | 65.7% | $4M | $4M | $4M |
|
Night of the Living Dead | 2017 | 65.4 | 85.8% | 32.5% | $90K | $7M | $9M |
|
Stalker | 2017 | 64.8 | 69.4% | 40.8% | $270K | $8M | $11M |
|
Tampopo | 2016 | 64.2 | 70.3% | 40.2% | $229K | $10M | $13M |
|
Godland | 2023 | 63.0 | 62.1% | 54.1% | $2M | $3M | $3M |
|
Beauty and the Beast | 2016 | 62.2 | 75.5% | 37.8% | $160K | -$414M | -$547M |
|
Withnail and I | 2025 | 61.2 | 74.6% | 30.7% | $267K | $1M | $1M |
|
No Bears | 2022 | 59.4 | 51.8% | 54.6% | $1M | $6M | $7M |
|
Ugetsu | 2017 | 58.8 | 73.1% | 21.1% | $25K | $2M | $2M |
|
Andrei Rublev | 2018 | 57.5 | 63.3% | 28.7% | $102K | $4M | $5M |
|
Belle de Jour | 2018 | 56.1 | 71.8% | 19.4% | $40K | $2M | $3M |
|
Police Story | 2019 | 55.3 | 65.2% | 27.6% | $113K | $5M | $6M |
|
The Beast | 2024 | 54.9 | 65.3% | 44.5% | $755K | $5M | $5M |
|
David Lynch: The Art Life | 2017 | 54.5 | 53.4% | 41.2% | $311K | $8M | $10M |
|
Return to Reason: Four Films by Man Ray | 2024 | 54.1 | 75.0% | 11.4% | $25K | -$250M | -$251M |
|
Revanche | 2009 | 53.8 | 46.9% | 44.1% | $886K | $17M | $25M |
|
The Passion of Joan of Arc | 2017 | 53.2 | 63.9% | 19.7% | $23K | $3M | $4M |
|
Anselm | 2023 | 52.8 | 36.4% | 55.1% | $2M | $7M | $7M |
|
All That Breathes | 2022 | 52.3 | 53.5% | 31.5% | $111K | $6M | $7M |
|
Tori and Lokita | 2023 | 51.0 | 45.1% | 45.3% | $716K | $2M | $2M |
|
Come and See | 2020 | 51.0 | 50.7% | 30.3% | $72K | $14M | $18M |
|
Picnic at Hanging Rock | 2025 | 50.2 | 62.7% | 19.9% | $108K | $760K | $760K |
|
Totem | 2024 | 49.3 | 50.2% | 29.1% | $164K | $3M | $3M |
|
The Rules of the Game | 2006 | 48.8 | 36.3% | 39.7% | $274K | $18M | $29M |
|
Basquiat | 2024 | 47.6 | 63.9% | 14.9% | $35K | $2M | $2M |
|
Caught by the Tides | 2025 | 46.5 | 39.1% | 33.1% | $325K | $3M | $3M |
|
Amarcord | 2009 | 46.2 | 37.0% | 33.8% | $192K | $13M | $20M |
|
Ryuichi Sakamoto: Opus | 2024 | 45.8 | 27.8% | 44.3% | $742K | $3M | $3M |
|
Cameraperson | 2016 | 45.3 | 37.8% | 33.8% | $109K | $7M | $9M |
|
The Lovers on the Bridge | 2025 | 45.2 | 53.1% | 11.6% | $33K | $884K | $884K |
|
Chimes at Midnight | 2016 | 44.4 | 31.0% | 35.1% | $127K | $7M | $9M |
|
Grey Gardens | 2015 | 43.2 | 39.4% | 21.6% | $39K | $5M | $7M |
|
The Red Balloon / White Mane | 2007 | 43.2 | 33.1% | 27.4% | $98K | $11M | $18M |
|
War and Peace | 2019 | 43.1 | 31.5% | 31.4% | $149K | -$4M | -$5M |
|
Vivre sa vie | 2008 | 42.1 | 33.7% | 25.0% | $75K | $6M | $9M |
|
Liv & Ingmar | 2013 | 41.8 | 25.9% | 38.5% | $140K | $3M | $3M |
|
I Knew Her Well | 2016 | 41.7 | 52.6% | 13.9% | $18K | -$9M | -$11M |
|
Children of Paradise | 2012 | 41.5 | 36.6% | 24.5% | $37K | $7M | $9M |
|
The Mother and the Whore | 2023 | 40.8 | 37.9% | 15.0% | $44K | $2M | $2M |
|
Black God, White Devil | 2023 | 40.6 | 49.5% | 4.5% | $8K | $249K | $263K |
| Varda by Agnès | 2019 | 39.8 | 19.0% | 38.4% | $235K | $5M | $6M |