SCREEN PROFITS REPORT
The Incredibles
2004 · Brad Bird · John Walker · 1 hr 55 min
While trying to lead a quiet suburban life, a family of undercover superheroes are forced into action to save the world.
SCREEN PROFITS REPORT
2004 · Brad Bird · John Walker · 1 hr 55 min
While trying to lead a quiet suburban life, a family of undercover superheroes are forced into action to save the world.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Craig T. Nelson | 2004 | $1,500,000 | $2,556,114 | (est) |
| Holly Hunter | 2004 | $750,000 | $1,278,057 | (est) |
| Sarah Vowell | 2004 | $6,440,000 | $10,974,251 | (est) |
| Spencer Fox | 2004 | $2,517,450 | $4,289,927 | (est) |
| Jason Lee | 2004 | $1,036,087 | $1,765,571 | (est) |
| Samuel L. Jackson | 2004 | $1,488,217 | $2,536,035 | (est) |
| Elizabeth Peña | 2004 | $116,249 | $198,097 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2004 | $261,441,092 | $445,515,551 |
| International International theatrical box office gross. | 2004 | $370,001,000 | $630,509,909 |
| Worldwide Combined worldwide theatrical box office gross. | 2004 | $631,442,092 | $1,048,615,057 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2004 | $278,720,946 (est) | $474,961,739 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2004 | $1,984,233 | $3,381,284 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2004 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2004 | $41,035,039 | $69,926,834 |
| Physical Purchases Physical Purchases: VHS $4,177,619, DVD $48,042,614 | 2004 | $52,220,232 | $88,987,257 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2004 | $54,961,787 (est) | $93,659,075 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2004 | $428,922,237 | $730,916,189 |
| Expenses | |||
| Budget Production budget. | 2004 | $92,000,000 | $152,781,366 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 3 | Peer Median: $70,000,000 | Reg Box Pred: $79,450,735 | Reg Main Pred: $66,736,278 | 2004 | $72,755,000 (est) | $123,980,066 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2004 | $30,068,756 (est) | $51,239,452 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2004 | $10,637,271 (est) | $18,126,721 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2004 | $11,040,000 (est) | $18,813,002 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2004 | $216,501,027 | $364,940,607 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2004 | $212,421,210 | $365,975,582 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.