SCREEN PROFITS REPORT
SubUrbia
1997 · Richard Linklater · Anne Walker-McBay · 2 hr 1 min
A group of suburban teenagers try to support each other through the difficult task of becoming adults.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Jayce Bartok | 1997 | $21,660 | $43,441 | (est) |
| Amie Carey | 1997 | $14,440 | $28,961 | (est) |
| Nicky Katt | 1997 | $50,540 | $101,363 | (est) |
| Ajay Naidu | 1997 | $36,100 | $72,402 | (est) |
| Parker Posey | 1997 | $25,270 | $50,682 | (est) |
| Giovanni Ribisi | 1997 | $14,440 | $28,961 | (est) |
| Samia Shoaib | 1997 | $2,166 | $4,344 | (est) |
| Dina Spybey | 1997 | $2,166 | $4,344 | (est) |
| Steve Zahn | 1997 | $14,440 | $28,961 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1997 | $656,747 | $1,317,177 |
| International International theatrical box office gross. | 1997 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1997 | $656,747 | $1,283,623 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1997 | $328,374 (est) | $658,588 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1997 | $112,293 | $225,216 |
| Physical Purchases Physical Purchases: VHS $73,528, DVD $743 | 1997 | $74,270 | $148,957 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1997 | $156,433 (est) | $313,742 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1997 | $671,370 | $1,346,504 |
| Expenses | |||
| Budget Production budget. | 1997 | $722,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $678,118 | Reg Main Pred: $1,262,561 | 1997 | $525,000 (est) | $1,052,944 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $15,374 (est) | $30,835 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $86,640 (est) | $173,766 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1997 | $1,349,014 | $2,705,593 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1997 | $-677,645 | $-1,359,089 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.