SCREEN PROFITS REPORT
Robber
2013 · Julian Jarrold | James Strong · 2 hr 16 min
An aristocrat's daughter falls in love with a visiting archaeologist, but he holds a secret that could drive them apart.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Luke Evans | 2013 | $130,350 | $180,084 | (est) |
| Jim Broadbent | 2013 | $86,900 | $120,056 | (est) |
| Paul Anderson | 2013 | $60,830 | $84,039 | (est) |
| Jack Roth | 2013 | $6,952 | $9,605 | (est) |
| Martin Compston | 2013 | $30,091 | $41,572 | (est) |
| Neil Maskell | 2013 | $17,380 | $24,011 | (est) |
| Del Synnott | 2013 | $2,607 | $3,602 | (est) |
| Nicholas Murchie | 2013 | $2,607 | $3,602 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2013 | $581,813 | $803,801 |
| International International theatrical box office gross. | 2013 | $207,858 | $287,165 |
| Worldwide Combined worldwide theatrical box office gross. | 2013 | $789,671 | $1,063,175 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2013 | $374,050 (est) | $516,767 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2013 | $45,783 | $63,251 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2013 | $32,251 | $44,556 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2013 | $35,411 | $48,921 |
| Physical Purchases Physical Purchases: DVD $46,020, BluRay $17,719 | 2013 | $63,739 | $88,059 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2013 | $109,645 (est) | $151,479 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2013 | $660,878 | $913,033 |
| Expenses | |||
| Budget Production budget. | 2013 | $869,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 1 | Reg Box Pred: $1,274,603 | Reg Main Pred: $2,611,926 | 2013 | $632,000 (est) | $873,136 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2013 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2013 | $11,169 (est) | $15,430 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2013 | $104,280 (est) | $144,068 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2013 | $1,616,449 | $2,233,197 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2013 | $-955,571 | $-1,320,164 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.