SCREEN PROFITS REPORT
Miami Rhapsody
1995 · David Frankel · Barry Jossen | David Frankel · 1 hr 35 min
Gwyn begins doubting her "yes" to Matt's wedding proposal, when she hears about her parents' and brother's adultery.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Antonio Banderas | 1995 | $900,000 | $1,900,984 | (est) |
| Gil Bellows | 1995 | $120,000 | $253,465 | (est) |
| Mia Farrow | 1995 | $358,126 | $756,435 | (est) |
| Sarah Jessica Parker | 1995 | $300,000 | $633,661 | (est) |
| Carla Gugino | 1995 | $210,000 | $443,563 | (est) |
| Paul Mazursky | 1995 | $120,000 | $253,465 | (est) |
| Kevin Pollak | 1995 | $120,000 | $253,465 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1995 | $5,221,281 | $11,028,414 |
| International International theatrical box office gross. | 1995 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1995 | $5,221,281 | $10,747,479 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1995 | $2,610,641 (est) | $5,514,207 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1995 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1995 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1995 | $985,052 | $2,080,630 |
| Physical Purchases Physical Purchases: VHS $545,665 | 1995 | $545,665 | $1,152,556 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1995 | $1,269,364 (est) | $2,681,156 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1995 | $5,410,721 | $11,428,550 |
| Expenses | |||
| Budget Production budget. | 1995 | $6,000,000 | $12,350,394 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $2,627,833 | Reg Main Pred: $6,135,743 | 1995 | $3,389,000 (est) | $7,158,262 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1995 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1995 | $129,316 (est) | $273,142 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1995 | $720,000 (est) | $1,520,787 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1995 | $10,238,316 | $21,302,585 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1995 | $-4,827,596 | $-9,874,036 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.