SCREEN PROFITS REPORT
Life After Beth
2014 · Jeff Baena · Michael Zakin | Liz Destro · 1 hr 29 min
A young man's recently deceased girlfriend mysteriously returns from the dead, but he slowly realizes she is not the way he remembered her.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Aubrey Plaza | 2014 | $222,823 | $303,028 | (est) |
| Dane DeHaan | 2014 | $240,000 | $326,388 | (est) |
| Molly Shannon | 2014 | $168,000 | $228,471 | (est) |
| Cheryl Hines | 2014 | $120,000 | $163,194 | (est) |
| Paul Reiser | 2014 | $84,000 | $114,236 | (est) |
| Matthew Gray Gubler | 2014 | $48,000 | $65,278 | (est) |
| John C. Reilly | 2014 | $48,000 | $65,278 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2014 | $88,273 | $120,047 |
| International International theatrical box office gross. | 2014 | $186,444 | $253,554 |
| Worldwide Combined worldwide theatrical box office gross. | 2014 | $274,717 | $364,084 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2014 | $118,714 (est) | $161,445 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2014 | $8,674 | $11,797 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2014 | $6,616 | $8,998 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2014 | $5,732 | $7,795 |
| Physical Purchases Physical Purchases: DVD $7,605, BluRay $3,197 | 2014 | $10,802 | $14,691 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2014 | $16,902 (est) | $22,985 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2014 | $167,441 | $227,711 |
| Expenses | |||
| Budget Production budget. | 2014 | $2,400,000 | $3,180,735 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $601,328 | Reg Main Pred: $1,506,789 | 2014 | $220,000 (est) | $299,189 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2014 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2014 | $2,746 (est) | $3,734 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2014 | $288,000 (est) | $391,665 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2014 | $2,910,746 | $3,875,324 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2014 | $-2,743,305 | $-3,647,613 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.