SCREEN PROFITS REPORT
Jungle 2 Jungle
1997 · John Pasquin · Brian Reilly · 1 hr 45 min
A man learns he has a thirteen-year-old son who was raised in the jungle and brings the boy to New York City, turning his life upside down in the process.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Tim Allen | 1997 | $3,996,230 | $8,014,869 | (est) |
| Martin Short | 1997 | $715,004 | $1,434,017 | (est) |
| Lolita Davidovich | 1997 | $515,074 | $1,033,036 | (est) |
| David Ogden Stiers | 1997 | $444,785 | $892,064 | (est) |
| JoBeth Williams | 1997 | $500,255 | $1,003,315 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1997 | $59,927,618 | $120,191,279 |
| International International theatrical box office gross. | 1997 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1997 | $59,927,618 | $117,129,556 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1997 | $29,963,809 (est) | $60,095,639 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1997 | $9,373,049 | $18,798,657 |
| Physical Purchases Physical Purchases: VHS $6,066,849, DVD $61,281 | 1997 | $6,128,130 | $12,290,624 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1997 | $13,891,612 (est) | $27,861,121 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1997 | $59,356,600 | $119,046,041 |
| Expenses | |||
| Budget Production budget. | 1997 | $32,000,000 | $62,544,548 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 5 | Peer Median: $15,000,000 | Reg Box Pred: $13,091,291 | Reg Main Pred: $16,096,243 | 1997 | $14,625,000 (est) | $29,332,009 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $858,686 (est) | $1,722,187 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $1,359,266 (est) | $2,726,154 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $3,840,000 (est) | $7,701,533 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1997 | $52,682,952 | $104,026,432 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1997 | $6,673,648 | $15,019,609 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.