SCREEN PROFITS REPORT
GoldenEye
1995 · Martin Campbell · Michael G. Wilson | Barbara Broccoli · 2 hr 10 min
When a powerful secret defense system is stolen, James Bond is assigned to stop a Russian crime syndicate from using it.
SCREEN PROFITS REPORT
1995 · Martin Campbell · Michael G. Wilson | Barbara Broccoli · 2 hr 10 min
When a powerful secret defense system is stolen, James Bond is assigned to stop a Russian crime syndicate from using it.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Pierce Brosnan | 1995 | $4,000,000he took home $4. million while the Bond revival grossed $356.source | $8,448,819 | (rep) |
| Sean Bean | 1995 | $750,000 | $1,584,154 | (est) |
| Izabella Scorupco | 1995 | $2,066,486 | $4,364,841 | (est) |
| Famke Janssen | 1995 | $610,638 | $1,289,792 | (est) |
| Joe Don Baker | 1995 | $537,867 | $1,136,085 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1995 | $106,429,941 | $224,801,824 |
| International International theatrical box office gross. | 1995 | $678 | $1,432 |
| Worldwide Combined worldwide theatrical box office gross. | 1995 | $106,430,619 | $219,076,674 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1995 | $53,215,235 (est) | $112,401,471 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1995 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1995 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1995 | $18,569,880 | $39,223,388 |
| Physical Purchases Physical Purchases: VHS $10,151,574 | 1995 | $10,151,574 | $21,442,202 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1995 | $25,218,336 (est) | $53,266,289 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1995 | $107,155,025 | $226,333,349 |
| Expenses | |||
| Budget Production budget. | 1995 | $60,000,000 | $123,503,937 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $18,598,065 | Reg Main Pred: $12,693,141 | 1995 | $16,584,000 (est) | $35,028,803 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1995 | $2,289,102 (est) | $4,835,052 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1995 | $2,561,005 (est) | $5,409,367 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1995 | $7,200,000 (est) | $15,207,874 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1995 | $88,634,107 | $183,985,034 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1995 | $18,520,917 | $42,348,316 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.