SCREEN PROFITS REPORT
Fright Night
2011 · Craig Gillespie · Michael De Luca | Alison Rosenzweig · 1 hr 46 min
When a new neighbor moves in next door, a young man discovers that he is an ancient vampire who preys on the community.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Anton Yelchin | 2011 | $900,000 | $1,288,173 | (est) |
| Colin Farrell | 2011 | $2,168,262 | $3,103,439 | (est) |
| Christopher Mintz-Plasse | 2011 | $1,269,771 | $1,817,427 | (est) |
| David Tennant | 2011 | $355,605 | $508,978 | (est) |
| Toni Collette | 2011 | $355,485 | $508,807 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2011 | $18,302,607 | $26,196,573 |
| International International theatrical box office gross. | 2011 | $22,700,000 | $32,490,574 |
| Worldwide Combined worldwide theatrical box office gross. | 2011 | $41,002,607 | $57,192,165 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2011 | $18,231,304 (est) | $26,094,516 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2011 | $1,032,778 | $1,478,219 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2011 | $607,902 | $870,092 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2011 | $1,542,616 | $2,207,951 |
| Physical Purchases Physical Purchases: DVD $1,917,038, BluRay $540,703 | 2011 | $2,457,741 | $3,517,772 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2011 | $3,533,048 (est) | $5,056,861 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2011 | $27,405,389 | $39,225,410 |
| Expenses | |||
| Budget Production budget. | 2011 | $30,000,000 | $41,845,265 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 1 | Reg Box Pred: $16,079,928 | Reg Main Pred: $31,147,654 | 2011 | $19,608,000 (est) | $28,064,985 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $501,519 (est) | $717,825 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $3,600,000 (est) | $5,152,690 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2011 | $53,709,519 | $75,780,765 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2011 | $-26,304,130 | $-36,555,355 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.