SCREEN PROFITS REPORT
Father of the Bride Part II
1995 · Charles Shyer · Nancy Meyers · 1 hr 46 min
George Banks must deal not only with his daughter's pregnancy, but also with his wife's.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Steve Martin | 1995 | $2,882,722 | $6,088,899 | (est) |
| Diane Keaton | 1995 | $803,389 | $1,696,922 | (est) |
| Martin Short | 1995 | $653,434 | $1,380,186 | (est) |
| Kimberly Williams | 1995 | $250,000 | $528,051 | (est) |
| George Newbern | 1995 | $236,003 | $498,487 | (est) |
| Kieran Culkin | 1995 | $446,086 | $942,225 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1995 | $76,594,107 | $161,782,435 |
| International International theatrical box office gross. | 1995 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1995 | $76,594,107 | $157,661,229 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1995 | $38,297,054 (est) | $80,891,217 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1995 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1995 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1995 | $13,562,677 | $28,647,150 |
| Physical Purchases Physical Purchases: VHS $7,433,513 | 1995 | $7,433,513 | $15,701,102 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1995 | $18,235,128 (est) | $38,516,323 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1995 | $77,528,371 | $163,755,793 |
| Expenses | |||
| Budget Production budget. | 1995 | $40,000,000 | $82,335,958 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 4 | Peer Median: $20,000,000 | Reg Box Pred: $14,817,672 | Reg Main Pred: $24,853,156 | 1995 | $18,841,000 (est) | $39,796,049 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1995 | $1,323,789 (est) | $2,796,113 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1995 | $1,852,928 (est) | $3,913,763 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1995 | $4,800,000 (est) | $10,138,583 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1995 | $66,817,717 | $138,980,466 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1995 | $10,710,655 | $24,775,326 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.