SCREEN PROFITS REPORT
Excess Baggage
1997 · Marco Brambilla · Bill Borden | Carolyn Kessler · 1 hr 41 min
A bratty teenager fakes her own kidnapping, but gets mistakenly kidnapped for real instead.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Alicia Silverstone | 1997 | $5,000,000in addition to $5 million for “Excess Baggage”source | $10,028,037 | (rep) |
| Benicio del Toro | 1997 | $983,816 | $1,973,149 | (est) |
| Christopher Walken | 1997 | $352,133 | $706,241 | (est) |
| Jack Thompson | 1997 | $402,987 | $808,234 | (est) |
| Nicholas Turturro | 1997 | $109,305 | $219,223 | (est) |
| Harry Connick Jr. | 1997 | $437,220 | $876,892 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1997 | $14,515,490 | $29,112,375 |
| International International theatrical box office gross. | 1997 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1997 | $14,515,490 | $28,370,774 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1997 | $7,257,745 (est) | $14,556,188 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1997 | $2,376,929 | $4,767,186 |
| Physical Purchases Physical Purchases: VHS $1,547,903, DVD $15,635 | 1997 | $1,563,538 | $3,135,844 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1997 | $3,411,493 (est) | $6,842,116 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1997 | $14,609,705 | $29,301,334 |
| Expenses | |||
| Budget Production budget. | 1997 | $21,861,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 1 | Reg Box Pred: $5,571,584 | Reg Main Pred: $15,710,445 | 1997 | $7,604,000 (est) | $15,250,639 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $334,562 (est) | $671,001 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $2,623,320 (est) | $5,261,350 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1997 | $32,422,882 | $65,027,575 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1997 | $-17,813,177 | $-35,726,241 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.