SCREEN PROFITS REPORT
But I'm a Cheerleader
2000 · Jamie Babbit · Andrea Sperling | Leanna Creel · 1 hr 25 min
A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.
SCREEN PROFITS REPORT
2000 · Jamie Babbit · Andrea Sperling | Leanna Creel · 1 hr 25 min
A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Natasha Lyonne | 2000 | $150,000 | $280,401 | (est) |
| Clea DuVall | 2000 | $100,000 | $186,934 | (est) |
| Melanie Lynskey | 2000 | $70,000 | $130,854 | (est) |
| RuPaul Charles | 2000 | $15,268 | $28,541 | (est) |
| Eddie Cibrian | 2000 | $35,000 | $65,427 | (est) |
| Wesley Mann | 2000 | $11,495 | $21,488 | (est) |
| Richard Moll | 2000 | $20,000 | $37,387 | (est) |
| Douglas Spain | 2000 | $13,917 | $26,016 | (est) |
| Katharine Towne | 2000 | $20,000 | $37,387 | (est) |
| Cathy Moriarty | 2000 | $20,000 | $37,387 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2000 | $2,205,627 | $4,123,062 |
| International International theatrical box office gross. | 2000 | $389,589 | $728,274 |
| Worldwide Combined worldwide theatrical box office gross. | 2000 | $2,595,216 | $4,727,754 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2000 | $1,258,649 (est) | $2,352,841 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2000 | $316,583 | $591,800 |
| Physical Purchases Physical Purchases: VHS $189,974, DVD $95,701 | 2000 | $285,675 | $534,023 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2000 | $494,238 (est) | $923,898 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2000 | $2,355,145 | $4,402,562 |
| Expenses | |||
| Budget Production budget. | 2000 | $1,000,000 | $1,821,719 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $2,122,958 | Reg Main Pred: $3,670,617 | 2000 | $900,000 (est) | $1,682,404 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $33,887 (est) | $63,346 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $52,755 (est) | $98,617 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $120,000 (est) | $224,321 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2000 | $2,106,642 | $3,890,407 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2000 | $248,503 | $512,155 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.